CITAR - Outros / Others
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- IndieLisboa 2025: secção director's cutPublication . Natálio, Carlos; Vieira Lisboa, Ricardo; Lukovnikova, Anastasia
- Seleção nacional - constelação #4: lagutropPublication . Ribas, Daniel; Cunha, PauloPortuguese cinema, in its reduced production capacity, has never had science fiction or fantastic cinema with visible expression. This does not mean that dystopian themes have not permeated various moments in our filmography. In this constellation, we intend to show some of these examples, lesser-known or even ignored works where computer screens from the beginnings of computing intersect with the wild ruins of an abandoned avant-garde architecture, and themes that revolve around the nuclear threat, the impossibility of motherhood, or the eschatologies of the end of the world.
- Seleção nacional - constelação #3: brandos costumesPublication . Ribas, Daniel; Cunha, PauloThis constellation questions one of the foundations of Salazar's national identity: the easy going ("brandos costumes"). Before and after the revolution, several films denounced the contradictions of this commonplace, exposing the natural violence and different forms of life in a human community.
- 모름 MorumPublication . Amorim, João PedroA group of Korean artists living in Portugal set out to bring their works together in an exhibition. From this shared diasporic condition — a common origin, a shared destination — the exhibition 모름 / Morum arises as an opportunity to experiment with plays of proximity and distance, to seek echoes and divergences. What persists from their origin? And how does the place they now inhabit shape their artistic expression? Bringing together distinct methodologies, materialities, and concerns, this exhibition presents works that, in some cases, renew the Korean craft tradition, and in others, explore contemporary visual languages. In common, these works question fixed notions of identity and affirm geographic and cultural displacement as a generative movement — one that produces meaning. Rather than proposing definitive answers, the exhibition offers a visual dialogue in which identity asserts itself as a constant becoming: a fluid, hybrid movement. Although we live in increasingly globalized — and thus homogenized — societies, it is still possible to find certain cultural specificities that act as points of resistance. The thread that guides this exhibition is the concept of Morum (모름). Unlike contemporary European languages, where terms such as “ignorance” (from Latin ignorantia) or “unknowing” are formed through negation — in- and gnarus, un- and knowing — Korean language offers positive, self-contained terms like Morum (모름) and the conjugations of the verb 모르다 (“to not know”). Here, not-knowing is affirmed as a dynamic state: an opening toward the unknown, a fertile ground for possibilities yet to be imagined. In the mythology of European rationalism, not-knowing came to be seen as a provisional deficiency — a temporary failure to be overcome by the advance of reason. This philosophical, scientific, and cultural revolution sought to banish the darkness of ignorance, believing that sooner or later the lights of Enlightenment would dispel the unknown. If the Enlightenment inaugurated a universalizing logic in which all things must be known, in the Korean language the dignity of not-knowing endures — a natural, honorable, and even elevated state of being.
- IndieLisboa 2024: secção director's cutPublication . Natálio, Carlos
- Seleção nacional - constelação #2: el doradoPublication . Ribas, Daniel; Cunha, PauloEl Dorado, which focuses on the problematic relationship between Portuguese cinema and Africa, presents, on the one hand, films from different decades that try to deal with the weight of colonization and, on the other, films that tried to show the reality unknown in the context of the dictatorship.
- IndieLisboa 2024: secção boca do infernoPublication . Natálio, Carlos
- Seleção nacional - constelação #1: antes do FuturoPublication . Ribas, Daniel; Cunha, PauloThe Constellation #1: Before the Future revisits the 80s and 90s of Portuguese society, its transformations and its desire for a future, as pulsating as it is solitary.
- Música analítica 2019: Porto International Symposium on the Analysis and Theory of MusicPublication . Martins, José Oliveira; Marques, Telmo; Moreira, Daniel; Perfeito, Paulo; Serra, Sofia
- Sustainability, circular economy, and creative computing: open educational materialsPublication . Cunha, Carlos; Orelj, Ana; Knutas, Antti; Stankevičiūtė, Eglė; Saka, Erkan; Pulevska Ivanovska, Lidija; Thomas Dotta, Leanete; Teixeira, Luís Miguel; Garda, Maria; Ibro, Marsida; Josimovski, Sasho; Freires, Thiago; Rakauskaitė, UgnėIntroduction: Why did we create this material? : Currently, there is an increasing concern about sustainability and robustness of complex infrastructures upon which many of our day-to-day activities depend. In the European Union, the term circular economy is a well-established element of the European Green Deal, describing a transformation towards greater sustainability and waste reduction. Many of us work in fields related to creative computing, and have spent time researching the right to repair and other sustainable practices related to creative computing. These materials were created to provide an opportunity to educators and learners to explore these ideas based on practical examples and accessible activities. How to use this material? :This material is available for non-commercial re-use under the Creative Commons License. It comprises of a slide deck and supporting materials, both available for free on the website https://costgrade.eu. The slide deck may be used during lessons in secondary school in both formal and informal settings. Educators may also edit and re-use the material in their own teaching tools. The supporting materials file includes descriptions of each slide, and suggestions for further reading. Who created this material? :This material was created by Grassroots of digital Europe (GRADE), a network of scientists, researchers, activists, and artists from the EU and beyond, created within the COST framework for European Cooperation in Science and Technology. GRADE Working Group 2, Institutionalising digital grassroots, is responsible for the creation and distribution of these materials. Contributors include: Carlos Cunha, Ana Orelj, Antti Knutas, Eglė Stankevičiūtė, Erkan Saka, Lidija Pulevska Ivanovska, Leanete Thomas Dotta, Luís Miguel Teixeira, Maria Garda, Marsida Ibro, Sasho Josimovski, Thiago Freires, Ugnė Rakauskaitė. Slide design by Laurynas Marčiulaitis.