Browsing by resource type "Other"
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- Aprender a aprender: estratégias e motivação: UCP Teen AcademyPublication . Miranda, Francisca; Monteiro, Inês
- IndieLisboa 2024: secção boca do infernoPublication . Natálio, Carlos
- IndieLisboa 2024: secção director's cutPublication . Natálio, Carlos
- Música analítica 2019: Porto International Symposium on the Analysis and Theory of MusicPublication . Martins, José Oliveira; Marques, Telmo; Moreira, Daniel; Perfeito, Paulo; Serra, Sofia
- Orientação técnica n.º1/2019: aplicação dos princípios da autonomia e flexibilidade curricular aos cursos de educação e formaçãoPublication . Orvalho, Luísa Antónia de Vila FernandesPara a construção das aprendizagens essenciais baseadas no perfil dos alunos. Documento autonomia e flexibilidade curricular : currículo do ensino secundário - cursos profissionais e cursos artísticos especializados
- Seleção nacional - constelação #1: antes do FuturoPublication . Ribas, Daniel; Cunha, PauloThe Constellation #1: Before the Future revisits the 80s and 90s of Portuguese society, its transformations and its desire for a future, as pulsating as it is solitary.
- Seleção nacional - constelação #2: el doradoPublication . Ribas, Daniel; Cunha, PauloEl Dorado, which focuses on the problematic relationship between Portuguese cinema and Africa, presents, on the one hand, films from different decades that try to deal with the weight of colonization and, on the other, films that tried to show the reality unknown in the context of the dictatorship.
- Seleção nacional - constelação #3: brandos costumesPublication . Ribas, Daniel; Cunha, PauloThis constellation questions one of the foundations of Salazar's national identity: the easy going ("brandos costumes"). Before and after the revolution, several films denounced the contradictions of this commonplace, exposing the natural violence and different forms of life in a human community.
- Seleção nacional - constelação #4: lagutropPublication . Ribas, Daniel; Cunha, PauloPortuguese cinema, in its reduced production capacity, has never had science fiction or fantastic cinema with visible expression. This does not mean that dystopian themes have not permeated various moments in our filmography. In this constellation, we intend to show some of these examples, lesser-known or even ignored works where computer screens from the beginnings of computing intersect with the wild ruins of an abandoned avant-garde architecture, and themes that revolve around the nuclear threat, the impossibility of motherhood, or the eschatologies of the end of the world.
- To MaryamPublication . Ribas, DanielIn a form of a letter, the text explores the works of Iranian artist and filmmaker Maryam Tafakory.