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Abstract(s)
O estágio a que este relatório se refere foi realizado no âmbito do Mestrado em Conservação e Restauro de Bens Culturais e teve lugar no edifício de Conservação e Restauro da Escola das Artes da Universidade Católica do Porto. Inserindo-se no âmbito da especialização escolhida, pintura sobre madeira, foi feito um tratamento de conservação e restauro num painel. A obra, objeto de estudo e de tratamento, é uma pintura a óleo sobre madeira, de mestre ou oficina desconhecidos, datada do século XVI, que representa Jesus Carregando a Cruz. É propriedade da Santa Casa da Misericórdia, do Porto e, visto tratar-se de uma aquisição muito recente, existe pouca informação sobre a obra. Ao longo do estágio, foi feito o enquadramento histórico, artístico e iconográfico da obra; além disso, procedeu-se ao seu estudo material e técnico. A intervenção de conservação e restauro era necessária, sobretudo a nível estrutural, visto que a pintura tinha sofrido um profundo ataque de insetos xilófagos e de térmitas que fragilizou as tábuas. A fim de complementar esta necessidade, também foram ensaiados sistemas de molas para permitir a planificação de painéis de madeira constituídos por uma ou mais tábuas. As decisões tomadas ao longo do estágio corresponderam às necessidades da obra, tendo sempre um critério de conservação que primasse pela longevidade da obra.
The internship this report refers to was carried out within the scope of the Master in Conservation and Restoration of Cultural Items and took place in the Conservation and Restoration department of the School of Arts of the Catholic University of Porto. Concerning the scope of the chosen specialization, painting on wood, a treatment of conservation and restoration in a panel was carried out. The work of art, object of study and treatment, is an oil painting on wood, of unknown master or workshop, dating from the sixteenth century and representing Christ Carrying the Cross. It is owned by Santa Casa da Misericórdia, Porto and, since it is a very recent acquisition, there is little information about it. Throughout the internship, the historical, artistic and iconographic framework of the work of art was explored; in addition, both its material and technical treatments were studied. A conservation and restoration intervention was necessary, especially at the structural level, since the painting had suffered a deep attack of xylophagous insects and termites that fragilized the planks. In order to complement this requirement, spring systems have also been tested to allow the planning of wood panels consisting of one or more boards. The decisions made along the internship matched the needs of the work of art and have always had a criterion of conservation that prevails for the longevity of the work of art.
The internship this report refers to was carried out within the scope of the Master in Conservation and Restoration of Cultural Items and took place in the Conservation and Restoration department of the School of Arts of the Catholic University of Porto. Concerning the scope of the chosen specialization, painting on wood, a treatment of conservation and restoration in a panel was carried out. The work of art, object of study and treatment, is an oil painting on wood, of unknown master or workshop, dating from the sixteenth century and representing Christ Carrying the Cross. It is owned by Santa Casa da Misericórdia, Porto and, since it is a very recent acquisition, there is little information about it. Throughout the internship, the historical, artistic and iconographic framework of the work of art was explored; in addition, both its material and technical treatments were studied. A conservation and restoration intervention was necessary, especially at the structural level, since the painting had suffered a deep attack of xylophagous insects and termites that fragilized the planks. In order to complement this requirement, spring systems have also been tested to allow the planning of wood panels consisting of one or more boards. The decisions made along the internship matched the needs of the work of art and have always had a criterion of conservation that prevails for the longevity of the work of art.
Description
Keywords
Pintura sobre madeira Século XVI Retábulo Jesus carregando a Cruz Painting on wood 16th century Retable Christ carrying the Cross