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Este relatório irá apresentar o processo de trabalho realizado na criação de dois instrumentos digitais para uso profissional e educativo de produção musical no sistema de sampling da Native Instruments, Kontakt. A criação destes instrumentos – os woodland pianos – as passou por três momentos distintos: selecção de instrumentos a samplar; realização de sessões de captação cujo objectivo foi a captação detalhada de diversos elementos sonoros individuais de dois pianos; edição de material sonoro e subsequente implementação no Kontakt dos ficheiros resultantes, bem como a criação de uma interface visual para cada um dos instrumentos. A actividade profissional de composição musical está cada vez mais misturada com a de engenharia de áudio e de produção. A criação de instrumentos digitais através de sampling existe como um recurso imprescindível que combina o detalhe musical estético de uma área e as capacidades e rigor técnico da outra, e através desta criação é possível alcançar resultados sonoros e musicais que de outra forma não seriam possíveis sem sampling, como irei abordar ao longo do relatório.
This report serves to showcase the work process in the creation of two digital instruments for professional and educational use in music production, made inside of Native Instruments’ sampler, Kontakt. The creation of these instruments – the woodland pianos – went through three distinct moments: the selection of which instruments to sample; recording sessions whose purpose was the detailed capture of various individual sonic elements of two pianos; the editing of said sonic material and subsequent implementation in Kontakt, as well as the creation of a visual user interface for each of the instruments. The professional field of music composition is ever entwining itself with audio engineering and production. The creation of digital instruments through sampling is, then, an indispensable resource which combines the aestheticoriented musical detail of one field and the technical rigor and abilities of the other, and it is through this creation that one can achieve sonic and musical results that wouldn’t otherwise be attainable without sampling, as I will illustrate throughout this report.
This report serves to showcase the work process in the creation of two digital instruments for professional and educational use in music production, made inside of Native Instruments’ sampler, Kontakt. The creation of these instruments – the woodland pianos – went through three distinct moments: the selection of which instruments to sample; recording sessions whose purpose was the detailed capture of various individual sonic elements of two pianos; the editing of said sonic material and subsequent implementation in Kontakt, as well as the creation of a visual user interface for each of the instruments. The professional field of music composition is ever entwining itself with audio engineering and production. The creation of digital instruments through sampling is, then, an indispensable resource which combines the aestheticoriented musical detail of one field and the technical rigor and abilities of the other, and it is through this creation that one can achieve sonic and musical results that wouldn’t otherwise be attainable without sampling, as I will illustrate throughout this report.
Descrição
Palavras-chave
Sampling Criação de instrumentos digitais Captação em estúdio Edição de áudio Creation of digital instruments Studio recording Audio editing