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Advisor(s)
Abstract(s)
A paródia é um género antigo que não deixa de ser atual. Podemos encontrar evidências no universo da literatura, arte, música ou do cinema. Com a crescente evolução tecnológica, a paródia tornou-se cada vez com mais frequente. A sua proliferação relaciona-se com o surgimento de novas plataformas de contacto e partilha, designadamente, as redes sociais. A facilidade com que uma paródia pode ser feita e apresentada ao mundo digital leva a que emirjam litígios no campo dos direitos da propriedade intelectual. Os conflitos surgem quando o parodiador, exercendo os seus direitos de liberdade de expressão e de crítica, desenvolve um trabalho inspirado em outro protegido pelo direito de autor sem que o titular dos direitos de exclusivo da obra parodiada lhe tenha concedido autorização. A consciência sobre a relevância das paródias na sociedade e a necessidade de proteger os direitos fundamentais de autor fazem surgir tentativas de regulação pelos legisladores nacionais e da União Europeia (UE). O presente estudo tem como objetivo debater o tratamento da paródia em Portugal por comparação, com o direito da UE e com o direito internacional. Quisemos também refletir e indagar soluções que possibilitem, ao Direito de Autor Português, salvaguardar os seus direitos, liberdade e garantias no âmbito do ordenamento jurídico português.
Parody is an ancient genre that is still relevant today. We can find evidence of it in the world of literature, art, music and cinema. With the growing evolution of technology, parody has become increasingly common. Its proliferation is related to the emergence of new platforms for contact and sharing, namely social networks. The ease with which a parody can be made and presented to the digital world leads to disputes arising in the field of intellectual property rights. Conflicts arise when the parodist, exercising their rights to freedom of expression and criticism, develops a work inspired by another protected by copyright without the authorisation of the owner of the exclusive rights to the parodied work. Awareness of the importance of parodies in society and the need to protect fundamental copyright have led to attempts by national and European Union (EU) legislators to regulate them. This study aims to discuss the treatment of parody in Portugal by comparison with EU and international law. We also wanted to reflect on and investigate solutions that would enable Portuguese copyright law to safeguard its rights, freedoms and guarantees within the Portuguese legal system.
Parody is an ancient genre that is still relevant today. We can find evidence of it in the world of literature, art, music and cinema. With the growing evolution of technology, parody has become increasingly common. Its proliferation is related to the emergence of new platforms for contact and sharing, namely social networks. The ease with which a parody can be made and presented to the digital world leads to disputes arising in the field of intellectual property rights. Conflicts arise when the parodist, exercising their rights to freedom of expression and criticism, develops a work inspired by another protected by copyright without the authorisation of the owner of the exclusive rights to the parodied work. Awareness of the importance of parodies in society and the need to protect fundamental copyright have led to attempts by national and European Union (EU) legislators to regulate them. This study aims to discuss the treatment of parody in Portugal by comparison with EU and international law. We also wanted to reflect on and investigate solutions that would enable Portuguese copyright law to safeguard its rights, freedoms and guarantees within the Portuguese legal system.
Description
Keywords
Colisão de direitos fundamentais Direitos de autor Exceção Humor Liberdade de expressão Paródia Collision of fundamental rights Copyright Exception Freedom of expression Parody