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A dobragem em Espanha e Portugal : caso prático na Dubbing Brothers Spain
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O presente documento reflete o processo teórico e prático desenvolvido no estágio curricular, no âmbito do Mestrado em Som e Imagem, na especialização em Sound Design, da Universidade Católica Portuguesa. Com duração de 7 meses, nos estúdios de pós-produção de som para cinema da Dubbing Brothers Spain, foi possível apreender as várias fases da pós-produção de som em filmes e séries internacionais. Neste período de tempo, executei tarefas de captação, edição e mistura, com especial ligação à Dobragem, já anteriormente exploradas noutros ofícios e na fase académica prévia, ou seja, durante a licenciatura em Som e Imagem na mesma Universidade. De forma introdutória a este relatório, é feita uma análise à história e técnica da Dobragem com uma comparação do caso da evolução e estado atual em Espanha e Portugal.
The following document intends to depict the theoretical and practical process of the academic internship during the Master Degree in Sound and Image, with the specialization in Sound Design, hosted by the Portuguese Catholic University. For 7 months, in the audio post production studios Dubbing Brothers Spain, I had a chance to experience the various phases of post-production for international films and series, executing tasks like recording, editing and mixing, with a special dedication to dubbing, which I had already explored during other work and academic experiences like the Bachelor Degree on Sound and Image hosted by the same university. As an introduction to this report, there is an analysis to the history and technique of the Dubbing phenomenon comparing the cases of Spain and Portugal in terms of evolution and its present state.
The following document intends to depict the theoretical and practical process of the academic internship during the Master Degree in Sound and Image, with the specialization in Sound Design, hosted by the Portuguese Catholic University. For 7 months, in the audio post production studios Dubbing Brothers Spain, I had a chance to experience the various phases of post-production for international films and series, executing tasks like recording, editing and mixing, with a special dedication to dubbing, which I had already explored during other work and academic experiences like the Bachelor Degree on Sound and Image hosted by the same university. As an introduction to this report, there is an analysis to the history and technique of the Dubbing phenomenon comparing the cases of Spain and Portugal in terms of evolution and its present state.
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Dobragem Pós-produção de som Sound design Captação Edição Mistura de som Cinema Dubbing Audio post-production Recording Editing Mixing
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Without CC licence