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Abstract(s)
O estudo realizado no âmbito desta dissertação, O Teatro do Mundo e o Teatro
de Deus, procura ser uma reflexão histórica e teológica sobre a arte teatral enquanto
arte que apresenta o homem na sua relação com o mundo e o próprio agir de Deus na
vida humana.
O presente ensaio possibilita ter um olhar, ainda que restrito, sobre as origens
do teatro, atravessando conjunturas significativas de uma história teatral: na
antiguidade, em contextos diferenciados do Mediterrâneo; na medievalidade, onde o
teatro teve estreita relação com o contexto cristão, como observamos através do
drama litúrgico e das representação sagradas; e na modernidade, onde encontramos
influências religiosas em autores como Gil Vicente e William Shakespeare.
Também na época contemporânea, o diálogo entre o teatro e a teologia reflete
a importância de devolver Deus ao teatro, o que é possível através de um olhar
teológico sobre a arte teatral, de um diálogo entre ambos, e através da dimensão
prática da Igreja, com o intuito de formar e sensibilizar as consciências.
The study carried out within this dissertation – The Theater of the World and the Theater of God – wants to be a historical and theological reflection about theatrical art as an art that presents man in his relationship with the world and God's own action in human life. The present essay makes possible to have a look, although restricted, on the origins of the theater, crossing significant conjunctures of the involved history: through Antiquity, in different contexts of mediterranean culture; in the Middle Ages, where the theater shows a close relationship with the Christian context, as we observe through the liturgical drama and the sacred representations; in the Modern Age, where we find religious influences in authors like Gil Vicente and William Shakespeare. Even in contemporary times, the dialogue between theater and theology reflects the importance of returning God to the theater, which is possible with a closer theological study on theatrical art, a dialogue between them and through the practical dimension of the Church, which could create and raise consciousness
The study carried out within this dissertation – The Theater of the World and the Theater of God – wants to be a historical and theological reflection about theatrical art as an art that presents man in his relationship with the world and God's own action in human life. The present essay makes possible to have a look, although restricted, on the origins of the theater, crossing significant conjunctures of the involved history: through Antiquity, in different contexts of mediterranean culture; in the Middle Ages, where the theater shows a close relationship with the Christian context, as we observe through the liturgical drama and the sacred representations; in the Modern Age, where we find religious influences in authors like Gil Vicente and William Shakespeare. Even in contemporary times, the dialogue between theater and theology reflects the importance of returning God to the theater, which is possible with a closer theological study on theatrical art, a dialogue between them and through the practical dimension of the Church, which could create and raise consciousness
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Keywords
Teatro Arte teatral Performance Drama litúrgico Liturgia Igreja Shakespeare Gil Vicente Arte e teologia Diálogo interdisciplinar Theater Theater art Performance Liturgical drama Liturgy Church Art and theology Interdisciplinary dialogue