Centro de Estudos de Comunicação e Cultura (CECC)
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- 1910. The republican revolutionPublication . Sardica, José
- 4 + 4 proposals for making sense of today's convivial culturesPublication . Santos, Luisa
- 4CS handbook colophon: reflections and actions upon mediation practicesPublication . Santos, Luísa; Duarte, Maria Eduarda
- 9/11 revisited: remediation as a tool to rewrite the cultural memory of the terrorist attack of 2001Publication . Gonçalves, DianaOver the last two decades, 9/11 established itself as an object of interest for the academia, news outlets and the arts, generating a multitude of cultural artefacts that allow us, collectively, to revisit the event, reread it in different circumstances, and, ultimately, rewrite it.Employing rewriting as a metaphor for a continuous process of representation and revision, this article explores the remediation of the terrorist attack of 2001 and how representations of the event across time and different media help consolidate its place in cultural memory. With this purpose in mind, it analyzes John Updike’s Terrorist (2006) and TV series Designated Survivor (2016) and discusses them as after-effects of 9/11.
- A comunicação enquanto paradigma de humanizaçãoPublication . Salgado, CristinaColocar a comunicação como ferramenta ao serviço do desenvolvimento e do bem- estar da pessoa humana, pressupõe a existência de um quadro de referência, onde o reconhecimento e valorização de cada um, como ser único, sejam norteadores de uma relação ajustada. Identificar a importância da interface do comportamento e da linguagem, a compreensão de afectos e sentimentos no processo relacional, constitui uma plataforma indispensável à construção de cenários, propiciadores de uma comunicação que se deseja humanizante.
- A condição da mulher nos sectores do cinema e do audiovisual em PortugalPublication . Burnay, Catarina Duff; Félix, João; Tavares, PatríciaThis study on the Condition of Women in the Film and Audiovisual Sectors in Portugal was promoted by MUTIM – Mulheres Trabalhadoras das Imagens em Movimento, an association founded in 2022, whose mission is precisely to think about and leverage the presence of women in cinema and audiovisual in Portugal, promoting parity and equitable representation, and by XX Element Project-Associação Cultural, a cultural association founded in 2016 that seeks to be an agent of intervention in the fight to promote equity, respect and inclusion of all people, through the development of artistic projects. In order to listen to the feelings and experiences of the women involved professionally in these sectors, the two associations created an online survey questionnaire and distributed it to workers in these fields without any gender bias. In a second phase, in-depth interviews were carried out with ten female professionals, as a way of identifying/specifying particular situations and complementing the information found in the survey. Simultaneously, the associations analysed three grants awarded by ICA: New Talents and First Works; Support for Cinema; and Support for Audiovisual and Multimedia. They also mapped the gender of professionals holding managerial positions in public bodies that support the cinema and audiovisual sectors, as well as in the most relevant management bodies and boards of the three main audiovisual media groups in Portugal.
- A invenção do NatalPublication . Faria, Luísa Leal deAs representações simbólicas do Natal estão associadas a valores morais transmitidos ao longo de dois mil anos. Desde o século XIX que, em Inglaterra, os símbolos natalícios se popularizaram e se vieram a disseminar pelo mundo. Pode concluir-se que para tal contribuiu decisivamente Charles Dickens que é geralmente responsável pela invenção do Natal no imaginário colectivo inglês. Esta associação estreita entre Dickens e o Natal decorre de um conjunto de publicações que se tornaram extraordinariamente populares, ainda em vida de Dickens, e continuam a manter, h oje ainda, muito da sua magia como expressões do Natal.
- A Praça do Martim Moniz e o Mercado de Fusão. Contributos para a análise dos conceitos de cosmpolitismo e cidadania cultural em políticas urbanasPublication . Caldas, Matilde VieiraThe use of complex and often polemic concepts such as multiculturalism, intercultural dialogue, cosmopolitanism and cultural citizenship has been growing in the urban policy debate amongst public institutions in Lisbon. Based on the particular case of the redevelopment of Praça do Martim Moniz this paper aims to understand how these concepts are shaping this debate and how they translate into specific urban policies. Amid these policies, cultural diversity has been often referred as a synonym of cosmopolitanism and regarded as a crucial resource for the city’s global competitive position. However, in the process of internationally promoting the city of Lisbon, it is important to discuss the relations between cultural diversity and the mediation role played by public institutions, gentrification phenomenon and marketing strategies, and question whether these may jeopardize the social dimension implied by the concept of cultural citizenship.
- A versão king James da BíbliaPublication . Pires, Maria Laura Bettencourt
- A.R.t distorting reality: augmented immateriality in Mixed Signals by kennedy+swanPublication . Weinholtz, TeresaWith the rapid evolution of digital technology, both artificial intelligence (AI) and augmented reality (AR) become increasingly accessible to the general public. As a result, contemporary artists have begun incorporating these technologies into their work, expanding beyond the established mediums of the arts. In this paper, I study the artist’s book Mixed Signals (2023) by kennedy+swan, a contemporary iteration of the genre that merges the conventional codex of the book with the digital, by incorporating interactive AR elements into the work. Primarily characterised by their self-referentiality, artists’ books often turn the medium itself into the subject matter of the work. Accordingly, the simultaneously tactile and digital materiality of Mixed Signals is one of its central themes, along with commentary on the meaning of AI and other forms of non-human intelligence, expressed throughout a series of nature-themed watercolours that transform into interactive augmented artworks through a smartphone app. These complex virtual artworks, I argue, not only act as an expansion of the book’s narrative, but also constitute a contemporary form of artistic expression that merges the material and immaterial. I further suggest that Mixed Signals challenges the concept of an anthropocentric society through its technology-induced distortion of reality.