| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 922.32 KB | Adobe PDF |
Advisor(s)
Abstract(s)
A beleza e o ícone são brechas que abrem para o mistério, para o infinito e, acima de tudo, para o eterno. É nesta dinâmica que abordamos o tema da beleza e do ícone como mistagogia no pensamento de Paul Evdokimov. Ao longo da obra El arte del Icono: Teología de la beleza, Evdokimov procura reavivar no pensamento dos nossos contemporâneos a ideia de que a beleza da criação, do Homem e da arte têm a sua origem em Deus, que é a fonte de todas as belezas. No primeiro capítulo apresentamos uma curta introdução à teologia da beleza de Paul Evdokimov. No segundo capítulo, analisamos a teologia e a espiritualidade do ícone na visão de Paul Evdokimov e no terceiro capítulo abordamos a iconografia como catequese mistagógica. Assim sendo, a nossa reflexão sobre estas questões conclui que a beleza e o ícone são lugares da epifania, ou seja, lugares onde podemos encontrar Deus. Por meio da matéria veneramos e adoramos o Criador. O mistério da Encarnação confirma qua a matéria é um lugar teofânico. Em suma, evidenciamos ao longo do texto que a beleza e o ícone são autênticas mistagogias que nos aproximam do Mistério que é Belo, Bom e Verdadeiro
The beauty and the icon are gaps that open one to the mystery, to the infinite and, above all, to the eternal. It is on this scope that we approach beauty’s and icon’s theme as mystagogy in the thought of Paul Evdokimov. Throughout the work El arte del Icono: Teología de la beleza¸ Evdokimov seeks to revive in the thinking of our contemporaries the idea that creation’s, Man’s and art’s beauty have their origin in God, the source of all beauties. In the first chapter we present a short introduction to Paul Evdokimov’s theology of beauty. In the second chapter, we analyze the theology and spirituality of the icon in the Paul Evdokimov’s view. Finally, in the third chapter we study iconography as a mystagogical catechesis. Therefore, our reflection on these issues concludes that both beauty and icon are places of epiphany, that is, places where God can be found. Through the matter, we can worship and adore the Creator. The Incarnation’s mystery confirms that matter is a theophanic place. In short, we have shown throughout our work that both beauty and icon are authentic mystagogies that bring us closer to the Mystery, which is Beautiful, Good and True.
The beauty and the icon are gaps that open one to the mystery, to the infinite and, above all, to the eternal. It is on this scope that we approach beauty’s and icon’s theme as mystagogy in the thought of Paul Evdokimov. Throughout the work El arte del Icono: Teología de la beleza¸ Evdokimov seeks to revive in the thinking of our contemporaries the idea that creation’s, Man’s and art’s beauty have their origin in God, the source of all beauties. In the first chapter we present a short introduction to Paul Evdokimov’s theology of beauty. In the second chapter, we analyze the theology and spirituality of the icon in the Paul Evdokimov’s view. Finally, in the third chapter we study iconography as a mystagogical catechesis. Therefore, our reflection on these issues concludes that both beauty and icon are places of epiphany, that is, places where God can be found. Through the matter, we can worship and adore the Creator. The Incarnation’s mystery confirms that matter is a theophanic place. In short, we have shown throughout our work that both beauty and icon are authentic mystagogies that bring us closer to the Mystery, which is Beautiful, Good and True.
Description
Keywords
Evdokimov Beleza Ícone Imagem Mistagogia Homem Iconógrafo Beauty Icon Image Mystagogy Man Iconographer