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Abstract(s)
Esta dissertação investiga o financiamento público às artes performativas em Portugal, com um foco especial na região Norte, analisando as mudanças nas políticas culturais e a atuação da Direção-Geral das Artes (DGArtes) entre 2011 e 2023. Contextualiza-se historicamente o papel do Estado no apoio às artes e a transição para um modelo de financiamento mais inclusivo e adaptado às necessidades contemporâneas do setor artístico e criativo. A problemática central da investigação reside na avaliação dos critérios de seleção e distribuição dos apoios, vem como nas consequências destas políticas para as estruturas artísticas e para a região Norte. A pesquisa identificou uma dualidade problemática: a renovação deficitária das entidades apoiadas e as assimetrias geográficas na alocação dos recursos. Fundamentada em dados quantitativos dos programas de apoio e documentos legislativos fornecidos pela DGArtes e pelo Governo de Portugal, a investigação esclarece o comportamento do financiamento público no período estudado, as suas políticas e as consequências. Os resultados indicam que, apesar do aumento do investimento e da inclusão de novas entidades, a concentração de apoios na Área Metropolitana do Porto persiste, em detrimento de outras sub-regiões. Esta centralização limita a diversidade e inovação no setor, sugerindo a necessidade de uma reformulação das políticas de financiamento. Recomenda-se, assim, a implementação de critérios de avaliação que valorizem o impacto real dos projetos, promovendo uma distribuição mais equitativa e inclusiva de recursos. Conclui-se que um modelo de financiamento mais justo e equilibrado é essencial para o desenvolvimento sustentável das artes performativas, em Portugal.
This dissertation examines the public funding for performing arts in Portugal, with a special focus on the North. It analyzes changes in cultural policies and the role of the Directorate-General for the Arts (DGArtes) between 2011 and 2023. It contextualizes the role of the State in supporting the arts, and the transition to a more inclusive funding model adapted to the current needs of the artistic and creative sector. The main issue of the research lies in evaluating the criteria of the funding, alongside the consequences of these policies for artistic institutions and the North. The research found a dual problem: the insufficient renewal of supported institutions and the geographic asymmetries in resource allocation. The analysis, based on quantitative data from support programs and legislative documents provided by DGArtes and the Government of Portugal, clarifies the behavior of public funding, its policies and their consequences, between 2011 and 2023. The results indicate that, despite increased investment and the inclusion of new institutions, the support concentrates in the Metropolitan Area of Porto to the detriment of other sub-regions. This constrains diversity and innovation, which suggests the need for a recasting of funding policies. This work recommends implementing evaluation criteria that prize the true impact of projects, promoting a more equitable and inclusive distribution of resources. It is concluded that a fairer and more balanced funding model is essential for the sustainability of the performing arts in Portugal.
This dissertation examines the public funding for performing arts in Portugal, with a special focus on the North. It analyzes changes in cultural policies and the role of the Directorate-General for the Arts (DGArtes) between 2011 and 2023. It contextualizes the role of the State in supporting the arts, and the transition to a more inclusive funding model adapted to the current needs of the artistic and creative sector. The main issue of the research lies in evaluating the criteria of the funding, alongside the consequences of these policies for artistic institutions and the North. The research found a dual problem: the insufficient renewal of supported institutions and the geographic asymmetries in resource allocation. The analysis, based on quantitative data from support programs and legislative documents provided by DGArtes and the Government of Portugal, clarifies the behavior of public funding, its policies and their consequences, between 2011 and 2023. The results indicate that, despite increased investment and the inclusion of new institutions, the support concentrates in the Metropolitan Area of Porto to the detriment of other sub-regions. This constrains diversity and innovation, which suggests the need for a recasting of funding policies. This work recommends implementing evaluation criteria that prize the true impact of projects, promoting a more equitable and inclusive distribution of resources. It is concluded that a fairer and more balanced funding model is essential for the sustainability of the performing arts in Portugal.
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Keywords
Financiamento púlbico Artes performativas Políticas culturais Região norte Direção-Geral das Artes Public funding Performing arts Cultural policies Northen region Directorate-General for the Arts