| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 1.28 MB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
Esta investigação tem como objecto fundamental os diálogos como meio de
transmissão de uma informação ou de uma emoção, bem como a sua importância na
construção da narrativa fílmica.
Uma parte do estudo foi focada em processos de captação, edição e mistura em som
para cinema na vertente dos diálogos. Em prol da investigação desenvolveu-se
paralelamente o projecto final, baseado em inquéritos e entrevistas a técnicos de som.
A segunda parte da investigação desenvolveu-se através de entrevistas a
profissionais da área da neurociência, que por consequência fomentou o desenvolvimento
de testes de inteligibilidade. O carácter prático da investigação revelou-se a forma mais
directa para compreender e estabelecer uma ligação entre os diálogos e o campo da
inteligibilidade.
O estudo remetido às áreas do som e da neurociência demonstrou-se essencial ao
desenvolvimento da dissertação, bem como ao crescimento do que tinha sido inicialmente
proposto e ao que foi surgindo com a evolução de conhecimentos académicos da discente.
This investigation has dialogues as fundamental object as a mean of transmission of information or an emotion, as well its significance on the construction of the filmic narrative. One part of the study was focused on the process of sound recording, sound editing and sound mix in Cinema in the aspect of the dialogues. In the interest of the investigation, the final project was developed in parallel, based on surveys and interviews to sound engineers. The second part of the investigation was developed through interviews to neuroscience professionals, which fostered the development of intelligibility tests. The practical character of the investigation revealed itself as the most direct form of understanding and establishing a connection between the dialogs and the intelligibility field. The study regarding the sound and neuroscience areas has demonstrated to be essential to the development of this dissertation, as well as the growth of what had initially been proposed and what was arising with the evolution of academic knowledge of the student.
This investigation has dialogues as fundamental object as a mean of transmission of information or an emotion, as well its significance on the construction of the filmic narrative. One part of the study was focused on the process of sound recording, sound editing and sound mix in Cinema in the aspect of the dialogues. In the interest of the investigation, the final project was developed in parallel, based on surveys and interviews to sound engineers. The second part of the investigation was developed through interviews to neuroscience professionals, which fostered the development of intelligibility tests. The practical character of the investigation revealed itself as the most direct form of understanding and establishing a connection between the dialogs and the intelligibility field. The study regarding the sound and neuroscience areas has demonstrated to be essential to the development of this dissertation, as well as the growth of what had initially been proposed and what was arising with the evolution of academic knowledge of the student.
Descrição
Palavras-chave
Som no cinema Diálogos Captação de som Inteligibilidade da fala Percepção e cognição Sound in cinema Dialogues Sound recording Speech intelligibility Perception and cognition