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Authors
Abstract(s)
Esta dissertação esta focada no estudo da pintura mural dos séculos XV e XVI em Portugal e em particular, de casos de estudo pertencentes a dez recintos religiosos da Diocese de Bragança-Miranda, dos concelhos de Miranda do Douro e Mogadouro, em Bragança. Com o estudo pretendemos destacar a evolução da conservação-restauro de pintura mural em Portugal e compreender o que tem vindo a acontecer a este espólio e quais as necessidades emergentes. Uma vez que se desconhece o estado de conservação deste acervo e não existe um inventário completo que inclui a visão da conservação-restauro, torna-se importante atualizar a informação em fichas de levantamento do estado de conservação de pintura mural. Pelo que testamos um modelo de ficha em dez exemplares da região de Miranda do Douro e Mogadouro, com vista a se criar as bases para a integração desta abordagem em futuros inventários de pintura mural portuguesa. Com estes casos de estudo, conseguimos compreender os processos de alteração e demonstrar como as condições do edifício afetam os seus revestimentos decorativos, considerando os riscos em que se encontram ou virão a se encontrar. Realizamos ainda uma classificação acerca do estado de conservação dessas pinturas e dos seus espaços bem como os níveis de prioridade para intervenção. Tendo em consideração o desenvolvimento de estratégias para a salvaguarda da pintura mural, perante as reformulações internas dos órgãos estatais e com base na pesquisa de diversos especialistas, verificamos como lacuna a ausência de um projeto completo e atualizado de inventariação e salvaguarda deste corpus.
This dissertation is focused on study the mural painting of the XV and XVI centuries in Portugal and in particular, ten study cases from the Diocesis of Bragança-Miranda, in municipalities of Miranda do Douro and Mogadouro, in Bragança. With this study we aim to highlight the evolution of the conservation-restoration of mural painting in Portugal and to understand what has been happening to this heritage and what are the emerging needs. Since we don’t have a complete inventory that includes the conservation-restoration point of view, it is important to update the information in survey sheets about the condition of mural painting today. Accordingly, we tested a model sheet in ten studies from the region of Miranda do Douro and Mogadouro, in order to create the basis for the integration of this approach in future inventories of Portuguese mural painting. With these study cases, we have been able to understand the alteration processes of the mural paintings and demonstrate how the building conditions affect their decorative coverings, considering the risks to which they are, or will be. We also considered the condition of these paintings and their spaces, as well as the levels of priority for intervention. Concerning the development of strategies for the safeguarding of these mural painting, and based on the research produced by several experts, we found the lack of a complete and updated project for inventorying and safeguarding of this corpus.
This dissertation is focused on study the mural painting of the XV and XVI centuries in Portugal and in particular, ten study cases from the Diocesis of Bragança-Miranda, in municipalities of Miranda do Douro and Mogadouro, in Bragança. With this study we aim to highlight the evolution of the conservation-restoration of mural painting in Portugal and to understand what has been happening to this heritage and what are the emerging needs. Since we don’t have a complete inventory that includes the conservation-restoration point of view, it is important to update the information in survey sheets about the condition of mural painting today. Accordingly, we tested a model sheet in ten studies from the region of Miranda do Douro and Mogadouro, in order to create the basis for the integration of this approach in future inventories of Portuguese mural painting. With these study cases, we have been able to understand the alteration processes of the mural paintings and demonstrate how the building conditions affect their decorative coverings, considering the risks to which they are, or will be. We also considered the condition of these paintings and their spaces, as well as the levels of priority for intervention. Concerning the development of strategies for the safeguarding of these mural painting, and based on the research produced by several experts, we found the lack of a complete and updated project for inventorying and safeguarding of this corpus.
Description
Keywords
Pintura mural Inventário Estado de conservação Atualização Necessidades emergentes. Mural painting Survey Conditions Update Emerging needs