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Abstract(s)
A presente dissertação consiste numa análise pormenorizada da longa-metragem “Persépolis” (2007), de Marjane Satrapi, que trata um tema autobiográfico que tem lugar durante a época da revolução islâmica, a guerra Irão-Iraque e o tempo pós guerra, analisando também o livro com o mesmo título, a partir do qual foi feito o filme, e, por último, na criação de uma ponte entre “Persépolis” (2007) e “Ghiocel” (2015). “Ghiocel” (2015) é a curta-metragem de animação realizada como projecto final de mestrado. A curta-metragem consiste num drama, com a duração de 5 minutos, inspirada em factos reais, passados na Roménia dos anos ´70, que tratam da relação entre mãe e filha, com um tema universal; a perda de um ente querido. Escolheu-se este tema pela simplicidade e a pureza da história, pretendendo-se tentar retratá-la da mesma forma para tocar outras pessoas. Considerando a banda desenhada (BD) e o filme de Marjane Satrapi como fontes básicas de informações, analisaram-se vários aspectos – história e narrativa, cor, desenho, características dos personagens –, tentando realçar os itens e as características com incidência directa e maiores repercussões sobre a curta-metragem de animação. Para uma melhor compreensão das suas obras apresenta-se também uma breve recolha de dados biográficos de Marjane Satrapi e de dados históricos do Irão.
This dissertation consists of a detailed analysis of the cinematographic work "Persepolis" (2007) by Marjane Satrapi, an autobiographical subject that takes place during the Islamic revolution, the war between Iran and Iraq and the post war period. It also analyses the book with the same name, which originated the film. There is an attempt to establish a connection between "Persepolis" (2007) and "Ghiocel" (2015). "Ghiocel" (2015) is the animated short film created as the masters' final project. This short film is a drama, with the duration of 5 minutes, based on actual events that happened in the 70's Romania, dealing with the relationship between mother and daughter. Its main theme is universal: the loss of a loved one. This theme was chosen because of the simplicity and the purity of the story, and the desire to try to recreate it in order to move other people as well. Considering the comic books and Marjane Satrapi's film as the primary sources of information, different aspects were analysed - story and script, color, drawing, character's attributes -, trying to highlight the items or the characteristics with direct incidence and/or bigger repercussions in the animated film. For a better understanding of her work a brief biography of Marjane Satrapi and some historical data of Iran is also presented.
This dissertation consists of a detailed analysis of the cinematographic work "Persepolis" (2007) by Marjane Satrapi, an autobiographical subject that takes place during the Islamic revolution, the war between Iran and Iraq and the post war period. It also analyses the book with the same name, which originated the film. There is an attempt to establish a connection between "Persepolis" (2007) and "Ghiocel" (2015). "Ghiocel" (2015) is the animated short film created as the masters' final project. This short film is a drama, with the duration of 5 minutes, based on actual events that happened in the 70's Romania, dealing with the relationship between mother and daughter. Its main theme is universal: the loss of a loved one. This theme was chosen because of the simplicity and the purity of the story, and the desire to try to recreate it in order to move other people as well. Considering the comic books and Marjane Satrapi's film as the primary sources of information, different aspects were analysed - story and script, color, drawing, character's attributes -, trying to highlight the items or the characteristics with direct incidence and/or bigger repercussions in the animated film. For a better understanding of her work a brief biography of Marjane Satrapi and some historical data of Iran is also presented.
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Keywords
Satrapi Persépolis Banda desenhada (BD) Animação Drama Comic book Animation