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Abstract(s)
Aquando do aparecimento da televisão, as potencialidades do meio fizeram-se notar, pelo que passou a desempenhar um importante papel para as diferentes sociedades. Em pleno século XXI, as inovações tecnológicas trouxeram uma panóplia de possibilidades, mas apesar disso a televisão manteve-se como uma importante fonte de informação, cultura e entretenimento para o público. Nesse sentido, a representação de acontecimentos históricos através da ficção, tratase de uma forma de dar a conhecer o passado mesmo que o enredo seja ficcional. A presente dissertação procura analisar a ficção histórica portuguesa nos canais generalistas de sinal aberto. Para isso, escolheu-se analisar séries, minisséries e telenovelas portuguesas. Nesse sentido, dividiu-se a investigação em duas partes. A primeira apresenta o enquadramento teórico, sustentado pela revisão de literatura, que aprofunda a teoria das Mediações que nos ajuda a compreender a relação entre a televisão e o espectador, e também a história da televisão portuguesa assim como da sua ficção. Já a segunda parte apresenta o trabalho empírico, que consistiu numa análise de conteúdo a 10 produtos ficcionais selecionados no período compreendido entre 2011 e 2020. Esta seleção teve por objetivo posteriormente, a títulos que se tratavam de ficção histórica, assim como a análise de diferentes parâmetros através de tabelas definidas com esse propósito. Através da definição de categorias Técnicas, Descritivas, Simbólicas e Narrativas, esquematizar a informação recolhida através de uma análise de conteúdo, de forma a interpretar os resultados. As principais conclusões revelam que, de facto, existem títulos de ficção histórica quer se trate de uma série, minissérie ou telenovela. Também se verifica que abordam um período mais recente da história do país, pelo que se identifica a repetição de alguns períodos históricos, em diferentes obras. Assim, cada um dos formatos em análise apela a sentimentos de nacionalidade, visto que são abordados acontecimentos estruturantes para a nação, tanto a nível político como social.
When television became widespread, the potential of the medium became apparent, and it began to play an important role for different societies. In the 21st century, technological innovations have brought a many possibilities, but despite this, television has remained an important source of information, culture and entertainment for the public. In this sense, the representation of historical events through fiction is a way to make the past known, even if the plot is fictional. Thus, this dissertation seeks to analyze portuguese historical fiction. For this, we chose to analyze portuguese series, miniseries and soap operas broadcasted by generalist channels. In this sense, the research was divided into two parts. The first part presents the theoretical framework, supported by the literature review, which deepens the theory of Mediations that helps us to understand the relationship between television and the viewer, and also the history of portuguese television as well as it’s fiction. The second part presents the empirical work, which consisted of a content analysis of 10 fictional products selected in the period between 2011 and 2020. This selection aimed, afterwards, at identifying the titles that were historical fiction, as well as analyzing different parameters through tables defined for that purpose. The main conclusions reveal that there are indeed historical fiction titles, whether they are a series, miniseries or telenovelas. It is also verified that they deal with a more recent period of the country's history, so the repetition of some historical periods is identified in different works. Thus, each of the formats under analysis leads to feelings of nationality.
When television became widespread, the potential of the medium became apparent, and it began to play an important role for different societies. In the 21st century, technological innovations have brought a many possibilities, but despite this, television has remained an important source of information, culture and entertainment for the public. In this sense, the representation of historical events through fiction is a way to make the past known, even if the plot is fictional. Thus, this dissertation seeks to analyze portuguese historical fiction. For this, we chose to analyze portuguese series, miniseries and soap operas broadcasted by generalist channels. In this sense, the research was divided into two parts. The first part presents the theoretical framework, supported by the literature review, which deepens the theory of Mediations that helps us to understand the relationship between television and the viewer, and also the history of portuguese television as well as it’s fiction. The second part presents the empirical work, which consisted of a content analysis of 10 fictional products selected in the period between 2011 and 2020. This selection aimed, afterwards, at identifying the titles that were historical fiction, as well as analyzing different parameters through tables defined for that purpose. The main conclusions reveal that there are indeed historical fiction titles, whether they are a series, miniseries or telenovelas. It is also verified that they deal with a more recent period of the country's history, so the repetition of some historical periods is identified in different works. Thus, each of the formats under analysis leads to feelings of nationality.
Description
Keywords
Ficção histórica televisiva Canais generalistas portugueses Séries Telenovelas Minisséries Nacionalidade Historical television fiction Portuguese generalist channels Series Soap operas Miniseries Nationality