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Authors
Advisor(s)
Abstract(s)
O projecto apresentado tem como objectivo a realização de uma curta-metragem,
baseada numa investigação sobre a era digital no cinema. Numa altura que a película se
encontra em vias de extinção, o digital prevalece sendo cada vez mais usado em todas as
fases de produção de um filme. A sétima arte sofreu constantemente evoluções ao longo
da sua história, mas a mais recente tem levado teóricos a prever a “morte” do cinema após
mais de um século de película.
A identidade do cinema é, assim, posta em causa. Esta incerteza sobre a
representação da realidade também se baseia na evolução dos efeitos especiais para visuais
e na utilização de personagens e mundos criados a computador. Todos os géneros,
incluindo a animação, sofreram vastas alterações, tendo-se este último destacado, com o
digital a constituir, na actualidade, grande parte da produção de várias longas-metragens.
Desta forma, na parte teórica do projecto, haverá um desenvolvimento e exploração da
história e evolução do cinema, tanto no live action como na animação, assim como os
conceitos e reflexões de teóricos de cinema, que defendem ou contrariam o uso do digital
nesta arte. No projecto, será desenvolvida a curta-metragem Ljós, expondo e descrevendo
as fases de pré-produção, produção e pós-produção, assim como os meios utilizados para
a sua concretização.
The project presented results in a short film, based on research about the digital era in cinema. At a time where film is on the verge of extinction, the digital format prevails and is increasingly used at all stages of movie production. The seventh art had always suffered evolutions throughout its history, however the most recent has led theorists to predict the “death” of cinema” after more than a century of film. The identity of cinema is thus called into question. This uncertainty about the nature of reality representation is also challenged with the evolution of special effects for visual, and the use of computer-created characters and worlds. All the genders, including animation, have undergone vast changes, especially in the latter, with digital, nowadays, making up a large part of its production on several feature films. Therefore, in the theoretical part of the project, there will be a development and exploration of the history and evolution of cinema, both live action and animation, as well as the concepts and reflections of film theorists, who defend or counter the use of digital in this art. In the project, the short film Ljós will be developed, exposing and describing the pre-production, production and pos-production phases, as the means used for its concretion.
The project presented results in a short film, based on research about the digital era in cinema. At a time where film is on the verge of extinction, the digital format prevails and is increasingly used at all stages of movie production. The seventh art had always suffered evolutions throughout its history, however the most recent has led theorists to predict the “death” of cinema” after more than a century of film. The identity of cinema is thus called into question. This uncertainty about the nature of reality representation is also challenged with the evolution of special effects for visual, and the use of computer-created characters and worlds. All the genders, including animation, have undergone vast changes, especially in the latter, with digital, nowadays, making up a large part of its production on several feature films. Therefore, in the theoretical part of the project, there will be a development and exploration of the history and evolution of cinema, both live action and animation, as well as the concepts and reflections of film theorists, who defend or counter the use of digital in this art. In the project, the short film Ljós will be developed, exposing and describing the pre-production, production and pos-production phases, as the means used for its concretion.
Description
Keywords
Era digital Efeitos especiais Animação CGI Película Digital era Special effects Animation Film