| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 3.11 MB | Adobe PDF |
Orientador(es)
Resumo(s)
A telenovela está no cotidiano da sociedade brasileira. É hábito as famílias sentarem juntas
e assistir as telenovelas. A cultura de escutar uma história começa quando pais e mães leem
fábulas para crianças. Passou para as rádio-novelas no início do século XX. Desde a
primeira vez que chegou nas televisões, ainda na década de 1950, as telenovelas lançam
tendências e buscam refletir o brasileiro e sua forma de viver. No entanto, existe uma
barreira sobre a violência urbana que assolou o país, principalmente nas décadas de 1980 e
1990.
Por diversos motivos, a violência urbana não era mostrada até que um tiro no bairro do
Leblon quebrou essa barreira. Em Mulheres Apaixonadas (2003), um tiroteio mostrou o
que os cariocas já viviam há quase duas décadas.
A presente investigação busca responder até que ponto a violência nas telenovelas afeta a
imagem da cidade, no caso de Mulheres Apaixonadas o Rio de Janeiro a partir de uma
análise sobre a evolução do formato até a importância das telenovelas quanto narrativa
sobre a Nação (Lopes, 2003). Além de tentar responder essa pergunta é importante
entender o contexto histórico de como começou a violência na cidade e o porquê de as
telenovelas, que buscam ser um reflexo da vida cotidiana, terem demorado tanto a espelhar
a violência brasileira, em especial a do Rio de Janeiro.
The telenovela is inserted in daily life of Brazilian society. It is habit for families to sit together and watch telenovelas. The culture of listening to a story begins when parents read fables for children. He switched to radio-novelas in the early twentieth century. Since the beginning of telenovelas on television, in the 1950s, they launched trends and sought to reflect the brazilian and his way of life. However, there has a barrier about urban violence that plagued the country, especially in the 1980s and 1990s. For various reasons, urban violence was not shown until a shot in the Leblon neighborhood broke this barrier. In Mulheres Apaixonadas (2002), a shootout showed what who lives in Rio de Janeiro had lived for almost two decades. The present investigation seeks to answer the extent to which violence in telenovelas affects the image of the city, in the case of Mulheres Apaixonadas in Rio de Janeiro from an analysis of the evolution of the format to the importance of telenovelas and narrative about the nation (Lopes, 2003). In addition to trying to answer this question, it is important to understand the historical context of how violence began in the city and why telenovelas, which seek to be a reflection of everyday life, have taken so long to reflect brazilian violence, especially Rio de Janeiro.
The telenovela is inserted in daily life of Brazilian society. It is habit for families to sit together and watch telenovelas. The culture of listening to a story begins when parents read fables for children. He switched to radio-novelas in the early twentieth century. Since the beginning of telenovelas on television, in the 1950s, they launched trends and sought to reflect the brazilian and his way of life. However, there has a barrier about urban violence that plagued the country, especially in the 1980s and 1990s. For various reasons, urban violence was not shown until a shot in the Leblon neighborhood broke this barrier. In Mulheres Apaixonadas (2002), a shootout showed what who lives in Rio de Janeiro had lived for almost two decades. The present investigation seeks to answer the extent to which violence in telenovelas affects the image of the city, in the case of Mulheres Apaixonadas in Rio de Janeiro from an analysis of the evolution of the format to the importance of telenovelas and narrative about the nation (Lopes, 2003). In addition to trying to answer this question, it is important to understand the historical context of how violence began in the city and why telenovelas, which seek to be a reflection of everyday life, have taken so long to reflect brazilian violence, especially Rio de Janeiro.
Descrição
Palavras-chave
Telenovela Globo Violência Imagem Mulheres Apaixonadas Image Violence Culture