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Advisor(s)
Abstract(s)
Esta dissertação nasceu da constatação de que a obra do escritor Ruy Belo é eminentemente dialógica, sendo atravessada por múltiplas referências que continuamente exigem a memória na sua poesia. As evocações a obras do passado e a outros escritores cruzam-se e dissolvem-se com mestria no universo literário, através da utilização de alusões, de referências, de citações, de epígrafes, às vezes de uma forma direta, outras de uma forma indireta. Assim, após a teorização da memória, teceram-se várias considerações sobre a noção, função e manifestações de intertextualidade, algumas influências que marcaram o autor e as vozes de outros poetas a revelarem a determinação dos núcleos estruturantes dessa poética e o estabelecimento do fio condutor da construção do ato poético. Analisou-se o Poema-livro A Margem da Alegria de Ruy Belo, definindo como hipótese de trabalho a existência de uma poética de memória, a par de uma poética que se constrói num constante diálogo de inúmeras vozes, ressaltando, para lá do mito de amor, um espaço reflexivo, através das errâncias do poeta que vive na atualidade e a assinalar que este poeta não se circunscreve a movimentos estéticos, mas antes se enquadra como um poeta de todos os tempos. Também foi abordado o período pós-moderno e apresentação de alguns fragmentos da poética e ensaios do autor onde foi mais visível a memória como “criação” do seu universo literário, na (des)construção de mitos, símbolos, ideias, palavras.
This dissertation was born from the observation that the Ruy Belo writer’s work is imminently dialogical, being crossed by multiple references which continuously require the memory in his poetry. The evocations of past works and other writers intersect and dissolve themselves with mastery in the literary universe, through the use of allusions, references, quotes, headings, sometimes in a direct way, others in a roundabout way. Therefore, after the theorization of memory, several considerations were woven on the notion, function and manifestations of intertextuality, some influences that marked the author and the voice of other poets to reveal the determination of the structural cores of that poetics and the establishment of the thread of construction of the poetic act. Poema-livro A Margem da Alegria de Ruy Belo was analyzed, defining as a working hypothesis the existence of a poetics of memory, along with a poetic which is constructed in a constant dialogue of innumerous voices, highlighting, beyond the love myth, a reflective space, through the wanderings of the poet who lives in the present and noticing that this poet does not hold on to esthetic movements, but rather fits as a poet of all times. It was also addressed the post-modern period and the presentation of a few fragments of the poetic and the author’s essays where it was more visible the memory as a “creation” of his literary universe, at the (de)construction of myths, symbols, ideas, words.
This dissertation was born from the observation that the Ruy Belo writer’s work is imminently dialogical, being crossed by multiple references which continuously require the memory in his poetry. The evocations of past works and other writers intersect and dissolve themselves with mastery in the literary universe, through the use of allusions, references, quotes, headings, sometimes in a direct way, others in a roundabout way. Therefore, after the theorization of memory, several considerations were woven on the notion, function and manifestations of intertextuality, some influences that marked the author and the voice of other poets to reveal the determination of the structural cores of that poetics and the establishment of the thread of construction of the poetic act. Poema-livro A Margem da Alegria de Ruy Belo was analyzed, defining as a working hypothesis the existence of a poetics of memory, along with a poetic which is constructed in a constant dialogue of innumerous voices, highlighting, beyond the love myth, a reflective space, through the wanderings of the poet who lives in the present and noticing that this poet does not hold on to esthetic movements, but rather fits as a poet of all times. It was also addressed the post-modern period and the presentation of a few fragments of the poetic and the author’s essays where it was more visible the memory as a “creation” of his literary universe, at the (de)construction of myths, symbols, ideas, words.
Description
Keywords
Intertextualidade Memória Poesia Mito Amor Morte Ruy Belo Pós-moderno Intertextuality Memory Poetry Myth Love Death Post-modern