| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 317.72 KB | Adobe PDF |
Autores
Orientador(es)
Resumo(s)
Depois de um período em que a secularização, como modelo explicativo – linear e teleológico –afirmou-se hegemonicamente nas ciências sociais, tornou-se necessário encontrar outras vias de acesso aos lugares de reconfiguração do religioso, no contexto das múltiplas modernidades. Nesta situação, tornou-se decisivo reaproximar o olhar científico, em diferentes escalas, dos lugares em que estão a ser construídas novas relações entre a esfera do religioso e os outros mundos sociais, mediadas pelas deslocações do sagrado. O presente artigo explora o terreno da criação musical contemporânea como laboratório para a descoberta destas novas configurações.
After a period in which secularization was undertaken as a – linear and teleological – hegemonic explanatory model in the social sciences, it became necessary to find, in the context of multiple modernities, other ways of access to the places of religious’ reconfiguration. In this context, it became decisive to re-approximate, at different scales, the scientific lenses to the places in which the new relations between the religious sphere and the other social worlds are being built, through the mediation of the displacements of the sacred. This essay explores the domain of contemporary musical creation as a laboratory for the discovery of these new configurations.
After a period in which secularization was undertaken as a – linear and teleological – hegemonic explanatory model in the social sciences, it became necessary to find, in the context of multiple modernities, other ways of access to the places of religious’ reconfiguration. In this context, it became decisive to re-approximate, at different scales, the scientific lenses to the places in which the new relations between the religious sphere and the other social worlds are being built, through the mediation of the displacements of the sacred. This essay explores the domain of contemporary musical creation as a laboratory for the discovery of these new configurations.
Descrição
Palavras-chave
Secularidade Sacralidade Música Religião Secularity Sacredness Music Religion