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A presente pesquisa propõe um diálogo sobre as formas com as quais uma mulher olha para outras mulheres com a câmera na mão. Refletindo desde a história da fotografia e da inserção da presença feminina nela, a atuação inicial e doméstica da suposta fotógrafa amadora, e à eterna busca da representação visual no seio de uma sociedade patriarcal. Apresentando diversas fotógrafas com as mais distintas obras dentro da imagem, roteiros foram criados para a realização de entrevistas com três artistas, no intuito de desenvolver uma significação a respeito dos efeitos simultâneos e à empatia que caracterizam a produção entre mulheres. As respostas – entre os diálogos e monólogos platônicos descritos na dissertação –, constituíram uma constelação de perspectivas que se unem, afinal, em torno da expectativa em comum no imagético feminino: um olhar mais representativo de si.
The following research proposes a dialogue about the manners on which a woman look into another woman with the camera on her hands. Reflecting since the history of photography and the female presence’s inclusion on it, the former and domestic acting of the alleged woman amateur photographer, to the eternal inquiry of visual representation within a patriarchal society. By presenting many photographers with distinct projects on photography, scripts were made to interview three artists, to develop a signification about the simultaneous effects and the empathy that characterize the production among women. The answers – between the dialogues and platonic monologues described in the dissertation – constituted a perspective’s constellation that is unified around the common expectation on female’s imageries: a more representative gaze.
The following research proposes a dialogue about the manners on which a woman look into another woman with the camera on her hands. Reflecting since the history of photography and the female presence’s inclusion on it, the former and domestic acting of the alleged woman amateur photographer, to the eternal inquiry of visual representation within a patriarchal society. By presenting many photographers with distinct projects on photography, scripts were made to interview three artists, to develop a signification about the simultaneous effects and the empathy that characterize the production among women. The answers – between the dialogues and platonic monologues described in the dissertation – constituted a perspective’s constellation that is unified around the common expectation on female’s imageries: a more representative gaze.
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Fotografia Representação artística Olhar feminino Mulheres fotógrafas Empatia fotográfica Photography Representation Female gaze Women photographers Photographic empathy