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Abstract(s)
A finalidade desta investigação é analisar e reflectir sobre o fenómeno das pinturas corporais na sociedade e como esta absorve tal actividade cultural. Para tal, elegem-se dois objectos de estudo onde se configuram o processo e as suas correspondências, a problemática e as suas hipóteses e a contextualização dialéctica, contemporânea ou não, das correlações entre sociedade indígena sul-americana e sociedade contemporânea europeia.
Pretende-se, num primeiro instante, compreender e analisar nestes grupos o
fenómeno da pintura corporal, a sua aplicabilidade, circulação e visibilidade, e,
especificamente, a sua carga simbólica de comunicação, bem como a possibilidade de
uso do corpo como espaço de actuação; e, num segundo estádio, entender o modo como
na pós-modernidade, a transculturalidade, o uso das estruturas simbólicas comunicacionais e a hiper-realidade podem materializar-se nos vários suportes face às
variações dos contextos; e ainda, entender a reconfiguração ecranizada do corpo como
território de intervenção simbólica, numa proposta conceptual de hiperderme. Esta
investigação tem como centros de apoio: CECC da FCH da UCP, Centro de Antropologia do Museu Britânico, Universidade de Copenhaga, Universidade de Malmöe e Centro de Etnologia de Munique.
The purpose of this research is to analyze and reflect about the phenomenon of body painting in society, and how it absorbs such cultural activity. To do so, have been elected two objects of study, which supports the process and its correspondences, the issues and its chances and a contextual dialectic, contemporary or not, of the correlations between South American Indian society and Contemporary European society. It is intended, in a first moment, understand and analyze these groups through the phenomenon of body painting, its applicability, circulation and visibility, and, specifically, its symbolic communication, as well as the possibility of using the body as a performance space. And, in a second stage, to understand how post-modernity, the transculturality, the use of symbolic structures and communication of the hyper-reality can be materialized in various media to relation on changes of contexts, as well as understanding the ecranized body as a reconfiguration territory of symbolic speech, a concept proposal for hiperderme. This research is supported by: CECC of FCH/UCP, Centre of the British Museum of Anthropology, University of Copenhagen, Malmöe University and Centre for Ethnology in Munich.
The purpose of this research is to analyze and reflect about the phenomenon of body painting in society, and how it absorbs such cultural activity. To do so, have been elected two objects of study, which supports the process and its correspondences, the issues and its chances and a contextual dialectic, contemporary or not, of the correlations between South American Indian society and Contemporary European society. It is intended, in a first moment, understand and analyze these groups through the phenomenon of body painting, its applicability, circulation and visibility, and, specifically, its symbolic communication, as well as the possibility of using the body as a performance space. And, in a second stage, to understand how post-modernity, the transculturality, the use of symbolic structures and communication of the hyper-reality can be materialized in various media to relation on changes of contexts, as well as understanding the ecranized body as a reconfiguration territory of symbolic speech, a concept proposal for hiperderme. This research is supported by: CECC of FCH/UCP, Centre of the British Museum of Anthropology, University of Copenhagen, Malmöe University and Centre for Ethnology in Munich.
Description
Keywords
Mehinaku Londoners Hiperderme Tatuagem Pintura corporal Tattoo Body painting