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Abstract(s)
Este trabalho de investigação tem como desiderato promover o conhecimento da
pessoa de Sebastião Sampaio de Sousa Sanhudo e da sua heterogénea obra. Partimos do
geral para o particular, por forma a enquadrar melhor a sua vida e a sua vasta produção.
Elaboramos um primeiro capítulo onde tratamos de fazer a história da imprensa,
com especial incidência sobre os séculos XVIII, XIX e XX. Aí damos conta dos
múltiplos progressos, ou recuos, gerados ao longo do tempo, desta arte, pois que ela é o
suporte material, sobre o qual se plasmam as edições no geral e no particular – aqui no
atinente às publicações humorísticas ilustradas, bem como aos aperiódicos de carácter
solidário e humanístico nas quais o autor interveio.
O segundo capítulo verte um vasto estudo sobre toda a história do humor no geral
e da caricatura no particular. Procuramos enquadrar as artes do humor não só no que ao
periodismo de humor ilustrado concerne, mas fazemo-lo inserindo-as num plano mais
alargado, cotejando com todas as áreas onde o humor se explanou, ao longo do tempo,
para que se compreenda, cabalmente, a sua posição e relevância respectiva.
O terceiro capítulo diligencia um olhar historiado sobre a cidade Invicta – através
das transformações sociais, comerciais, económicas, culturais, higieno-sanitárias,
histórico-sociológicas, nas novidades geradas pelo progresso material, urbanísticas, na
vivência hodierna das gentes e instituições portuenses –, naquilo, do muito, que a cidade
tinha, e talvez ainda conserve, como único ou muito genuíno. Incluímos aquele que
ponderamos ser o mais actual levantamento, sistematização e estudo sobre os cafés
históricos do Porto, em todas as suas vertentes, dada a sua vasta relevância social.
O capítulo derradeiro elabora um exame sobre a vida e a obra de Sebastião
Sanhudo. Percorremos a sua vida, a sua formação académica e a sua actividade como
industrial litógrafo, atestando da relevância e singularidade, quer da sua indústria, quer
daquele que foi um dos mais lídimos retratistas e litógrafos. Escrutinamos toda a vasta,
e heteróclita, produção artística daquele que possuiu um dos mais longevos periódicos
humorísticos ilustrados, analisando cada uma das suas produções, revelando da sua
capital importância, e destaque, no panorama do humor ilustrado e da caricatura.
This research has the desideratum to promote an insight into Sebastião Sampaio de Sousa Sanhudo and its heterogeneous work as a caricaturist, lithographer and publisher. To achieve that we started from the general to the particular, in order to better portrait his life and his vast production. In the first chapter we synthesize a history of the press, focusing on the 18th, 19th and 20th centuries. We registered this art’s multiple advances, or setbacks, generated over time, for this is the medium used to shape general or specific issues – in particular with regard to humorous illustrated publications and aperiodic titles of solidarity and humanistic character in which the author intervened. The second chapter sheds a comprehensive study on the entire history of humor in general and caricature in particular. We seek to portrait the art of humor in illustrated humor journalism by inserting it into a broader plan, comparing it with all the areas where humor was spread, over time, in order to fully understand its position and relevance. The third chapter presents an historical insight of the city of Porto – through its social, commercial, economic, cultural, health and hygiene, historical and sociological changes, the urban novelties and those generated by material progress, and the coeval experience of its people and the city’s institutions –, revealing a great part of what constituted the city, perhaps still preserved till nowadays as unique or very genuine. In this chapter we also include what could be considered as the most updated research, systematization and study of the historic cafés of Porto, in all its aspects, given their vast social relevance. The last chapter elaborates a survey on the life and works of Sebastião Sanhudo. We follow his life, education and activity as an industrial lithographer, attesting the relevance and uniqueness of his craftsmanship. He was indeed one of the most authentic portraitists and lithographers of his time. We also scrutinize all the vast, and ill-assorted, artistic production of the man that edited one of the very few longest-lived humorous illustrated periodicals, analyzing each of its productions, revealing its capital importance and prominence in the panorama of illustrated humor and caricature in Portugal.
This research has the desideratum to promote an insight into Sebastião Sampaio de Sousa Sanhudo and its heterogeneous work as a caricaturist, lithographer and publisher. To achieve that we started from the general to the particular, in order to better portrait his life and his vast production. In the first chapter we synthesize a history of the press, focusing on the 18th, 19th and 20th centuries. We registered this art’s multiple advances, or setbacks, generated over time, for this is the medium used to shape general or specific issues – in particular with regard to humorous illustrated publications and aperiodic titles of solidarity and humanistic character in which the author intervened. The second chapter sheds a comprehensive study on the entire history of humor in general and caricature in particular. We seek to portrait the art of humor in illustrated humor journalism by inserting it into a broader plan, comparing it with all the areas where humor was spread, over time, in order to fully understand its position and relevance. The third chapter presents an historical insight of the city of Porto – through its social, commercial, economic, cultural, health and hygiene, historical and sociological changes, the urban novelties and those generated by material progress, and the coeval experience of its people and the city’s institutions –, revealing a great part of what constituted the city, perhaps still preserved till nowadays as unique or very genuine. In this chapter we also include what could be considered as the most updated research, systematization and study of the historic cafés of Porto, in all its aspects, given their vast social relevance. The last chapter elaborates a survey on the life and works of Sebastião Sanhudo. We follow his life, education and activity as an industrial lithographer, attesting the relevance and uniqueness of his craftsmanship. He was indeed one of the most authentic portraitists and lithographers of his time. We also scrutinize all the vast, and ill-assorted, artistic production of the man that edited one of the very few longest-lived humorous illustrated periodicals, analyzing each of its productions, revealing its capital importance and prominence in the panorama of illustrated humor and caricature in Portugal.
Description
Keywords
História da imprensa História do humor História da caricatura História do Porto História dos cafés do Porto Litografia Caricatura Sebastião Sanhudo History of the press History of humor History of caricature History of Porto History of the historic cafés of Porto Lithography Caricature