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O presente relatório descreve o estágio curricular realizado durante o segundo ano do mestrado em Design de Som na produtora cinematográfica Bando à Parte, no âmbito do som para cinema. A área de trabalho em que o estágio se inseriu foi a de produção e pós-produção de som para filme. Durante sete meses, no departamento de som do Bando à Parte, foi possível aplicar em contexto profissional todo o conhecimento assimilado no primeiro ano de mestrado. Qual a metodologia a seguir por um diretor de som numa produção cinematográfica? Como se procede à pós-produção de um filme? São algumas das questões que este relatório visa responder e, atendendo à prática apreendida durante o estágio, avaliar e compreender as respostas encontradas.
This report describes the curricular internship developed during the second year of the master’s degree in Sound Design in the film production company Bando à Parte, in the scope of sound for cinema. The work area in which the internship was inserted was the production and post-production of sound for film. For seven months, in the sound department of Bando à Parte, it was possible to apply, in a professional context, all the knowledge assimilated during the first year of master’s degree. What is the methodology to be followed by a sound director in a film production? How does one proceed with the post-production of a film? These are some of the questions that this report aims to answer and, given the practice learned during the internship, to evaluate and understand the answers found.
This report describes the curricular internship developed during the second year of the master’s degree in Sound Design in the film production company Bando à Parte, in the scope of sound for cinema. The work area in which the internship was inserted was the production and post-production of sound for film. For seven months, in the sound department of Bando à Parte, it was possible to apply, in a professional context, all the knowledge assimilated during the first year of master’s degree. What is the methodology to be followed by a sound director in a film production? How does one proceed with the post-production of a film? These are some of the questions that this report aims to answer and, given the practice learned during the internship, to evaluate and understand the answers found.
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Palavras-chave
Som Cinema Pós-produção de som Foley Sound design Sound Sound post-production Sound design