| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 2.27 MB | Adobe PDF |
Authors
Advisor(s)
Abstract(s)
Este relatório tem como objetivo fazer uma reflexão das funções desenvolvidas ao longo do estágio curricular como engenheiro de gravação e mistura auxiliar na RedBox Studios, no âmbito de produção musical. Atendendo à diversidade de trabalho no departamento de som do estúdio, durante 6 meses foram postos em prática conhecimentos e capacidades adquiridas ao longo da formação obtida no mestrado em Som e Imagem com especialização em Design de Som. A seguinte dissertação inclui um estudo no qual são debatidas as necessidades essenciais para uma produção musical com qualidade profissional, debruçando os temas conhecimento e experiência na área contra a necessidade de ter ferramentas topo de gama e de qualidade profissional para a concretização de uma boa produção. No final, percebemos que o engenheiro da RedBox Studios teve mais votos do que o eu. Percebemos então que, um profissional que já tenha experiência com um determinado equipamento, consegue extrair o máximo dele.
The aim of this report is to reflect on the work carried out during my internship as an assistant recording and mixing engineer at RedBox Studios, in the field of music production. Given the diversity of the work in the studio's sound department, over the course of six months I put into practice the knowledge and skills acquired during my training in the Master's Degree in Sound and Image with a specialization in Sound Design. The following dissertation includes a study in which the essential needs for professional-quality music production are discussed, focusing on knowledge and experience in the field versus the need to have top-of-the-range, professional-quality tools to achieve a good production. In the end, we realized that the engineer from RedBox Studios had more votes than me. We then realized that a professional who already has experience with a particular piece of equipment can get the most out of it.
The aim of this report is to reflect on the work carried out during my internship as an assistant recording and mixing engineer at RedBox Studios, in the field of music production. Given the diversity of the work in the studio's sound department, over the course of six months I put into practice the knowledge and skills acquired during my training in the Master's Degree in Sound and Image with a specialization in Sound Design. The following dissertation includes a study in which the essential needs for professional-quality music production are discussed, focusing on knowledge and experience in the field versus the need to have top-of-the-range, professional-quality tools to achieve a good production. In the end, we realized that the engineer from RedBox Studios had more votes than me. We then realized that a professional who already has experience with a particular piece of equipment can get the most out of it.
Description
Keywords
Produção musical Captação de som Interface de áudio Edição Mistura Microfone Music production Sound capture Audio interface Editing Mixing Microphone