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Advisor(s)
Abstract(s)
Este relatório de estágio irá centrar-se na Monstra | Festival de Animação de Lisboa, que ao longo dos seus dezasseis anos de vida regista um crescimento quer em qualidade, quer em quantidade de programação, públicos e financiamentos. O festival, tem sido fundamental para a subsistência, divulgação e promoção do cinema de animação português, uma arte que carece particularmente de apoios à produção e distribuição das suas obras.
O objetivo deste trabalho será compreender como, face a um panorama cultural em constante mutação, com crescentes limitações financeiras e uma indústria com carências específicas, um festival de cinema, em Portugal garante a sua sustentabilidade e sucesso. A partir de uma experiência profissional, como assistente de produção da edição 2016 do Festival Monstra, foi possível entender que as relações estabelecidas com os diversos agentes envolvidos na sua realização; a sua particular estrutura organizacional; uma estratégia de angariação de fundos estruturada e internacional assente na capacidade do festival de responder às limitações do mercado; assim como o valor cultural e identitário que este possuí enquanto evento cultural e criativo fiel à sua missão desde o início para a cidade de Lisboa; são um conjunto de variantes fundamentais para a sua subsistência.
This report focuses on Monstra | Lisbon Animated Film Festival, which throughout its sixteen years of existence displayed a constant growth both in quality and quantity of its program, audience and financial aid. This film festival has been fundamental to the subsistence, dissemination, and promotion of the Portuguese animation cinema, an art affected by the industry lack of support. The purpose of this report is to examine how in a constantly shifting cultural panorama, with increasing financial limitations, and an industry with specific deficiencies, a film festival in Portugal, like Monstra, guarantees sustainability and success. In the light of a professional experience as assistant production in Monstra during its 2016 edition, it was possible to notice that the relations established with the various agents involved in its preparation, its particular organizational structure, its fundraising strategy, as well as the value that it embodies as a cultural and creative event for the city of Lisbon, are a set of fundamental variants to its preservation.
This report focuses on Monstra | Lisbon Animated Film Festival, which throughout its sixteen years of existence displayed a constant growth both in quality and quantity of its program, audience and financial aid. This film festival has been fundamental to the subsistence, dissemination, and promotion of the Portuguese animation cinema, an art affected by the industry lack of support. The purpose of this report is to examine how in a constantly shifting cultural panorama, with increasing financial limitations, and an industry with specific deficiencies, a film festival in Portugal, like Monstra, guarantees sustainability and success. In the light of a professional experience as assistant production in Monstra during its 2016 edition, it was possible to notice that the relations established with the various agents involved in its preparation, its particular organizational structure, its fundraising strategy, as well as the value that it embodies as a cultural and creative event for the city of Lisbon, are a set of fundamental variants to its preservation.
Description
Keywords
Festivais de cinema Estrutura organizacional Angariação de fundos Política cultural Financiamento privado Cinema de animação Film festivals Organizational structure Fundraising Cultural policy Private funding Animation cinema