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Advisor(s)
Abstract(s)
O Teatro Nacional D. Maria II sofreu, em Setembro de 2015, uma grande mudança no que
diz respeito à sua identidade, política de programação e estratégias de comunicação e,
consequentemente, transformou o seu público potencial e redefiniu o panorama teatral
lisboeta. Este estudo, que parte do projecto original para o TNDM II elaborado por Almeida
Garrett no século XIX, aborda a evolução do cargo de direcção artística, o trabalho da actual
direcção artística de Tiago Rodrigues e as alterações da missão e objectivos do Teatro
Nacional ao longo da sua existência - questionando o seu posicionamento nos dias de hoje,
com o intuito de repensar algumas das mais importantes vertentes do Teatro Nacional. Uma
investigação qualitativa com base em entrevistas a nomes de interesse para o estudo,
nomeadamente ex-directores artísticos, é utilizada para complementar a investigação.
The National Theatre D. Maria II went through a radical change in September 2015 respecting its identity, politics of programme and communication strategies and, consequently, transformed its potential audience and redefined Lisbon’s theatrical scene. The study at hands, which starts from the original project Almeida Garrett had for the TNDM II in the nineteenth century, discusses the evolution of the role of the artistic director, the work developed by the present artistic direction of Tiago Rodrigues and the changes through which have undergone the mission and objectives of the National Theatre. Our will is to question the positioning of the TNDM II in order to rethink some of its the most important aspects. A qualitative research based on interviews with renown theatre personalities, namely former artistic directors, is used to complement the research.
The National Theatre D. Maria II went through a radical change in September 2015 respecting its identity, politics of programme and communication strategies and, consequently, transformed its potential audience and redefined Lisbon’s theatrical scene. The study at hands, which starts from the original project Almeida Garrett had for the TNDM II in the nineteenth century, discusses the evolution of the role of the artistic director, the work developed by the present artistic direction of Tiago Rodrigues and the changes through which have undergone the mission and objectives of the National Theatre. Our will is to question the positioning of the TNDM II in order to rethink some of its the most important aspects. A qualitative research based on interviews with renown theatre personalities, namely former artistic directors, is used to complement the research.
Description
Keywords
Teatro Nacional D. Maria II Direcção artística Almeida Garrett Tiago Rodrigues Paradigma teatral National Theatre D. Maria II Artistic direction Theatrical paradigm