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Abstract(s)
Esta dissertação de mestrado tem como objetivo entender as características e circunstâncias que fazem de Isabelle Mège um “corpo-objeto” autor por meio de seu ato performático. Para isso, serão realizadas discussões sobre o extenso universo do gênero artístico do retrato, autorretrato e da autorrepresentação. Dentro de cada um desses abordaremos seu contexto histórico, juntamente com teorias da fotografia, filosofia e psicanálise, assim como explicitaremos os principais conceitos que os diferenciam entre si. Dentre esses conceitos, podemos citar como principais: a questão do olhar, a mimesis, o narcisismo, o nu, a performance, a objetificação, o fetichismo, o narcisismo e a autoria artística. Após esses três primeiros capítulos, iremos nos aprofundar ainda mais na questão do uso do corpo, da performance e do narcisismo para que possamos entender, diferenciar e categorizar o ato performático de Isabelle Mège. Por último, constatamos que esse ato não se encaixa especificamente em nenhum dos três gêneros artísticos aqui estudados, no entanto, pode ser conceitualizado como “corpo-objeto”. Ou seja, um corpo ativo e não neutro que participa do “jogo” de desejo da pulsão escópica e que pode ser visto e usado como objeto fotográfico, participando também da autoria das fotografias realizadas dele.
This master's thesis aims to understand the characteristics and circumstances that make Isabelle Mège a "body-object" author through a performative act. For this, studies will be carried out on the extensive universe of the artistic genre of portrait, self-portrait and self-representation. In each of these discussions we will approach their historical context, and combine them with theories of philosophy, photography and psychoanalysis, also explaining the main concepts that differentiate each one of them. Among these concepts we can mention: the matter of the regard, mimesis, narcissism, the nude, performance, objectification, fetishism, narcissism and artistic authorship. After these first three chapters, we will delve further into the issue of the body, performance and narcissism so that we can understand, differentiate and categorize Isabelle Mège's performative act. We will conclude that his act does not specifically fit into any of the three artistic genres mentioned above, but it can be conceptualized as “body-object”. In other words, an active and non-neutral body that participates in the “game” of desire of the scopic drive and can be seen and used as a photographic object, also participating in the authorship of the photographs that were taken of it.
This master's thesis aims to understand the characteristics and circumstances that make Isabelle Mège a "body-object" author through a performative act. For this, studies will be carried out on the extensive universe of the artistic genre of portrait, self-portrait and self-representation. In each of these discussions we will approach their historical context, and combine them with theories of philosophy, photography and psychoanalysis, also explaining the main concepts that differentiate each one of them. Among these concepts we can mention: the matter of the regard, mimesis, narcissism, the nude, performance, objectification, fetishism, narcissism and artistic authorship. After these first three chapters, we will delve further into the issue of the body, performance and narcissism so that we can understand, differentiate and categorize Isabelle Mège's performative act. We will conclude that his act does not specifically fit into any of the three artistic genres mentioned above, but it can be conceptualized as “body-object”. In other words, an active and non-neutral body that participates in the “game” of desire of the scopic drive and can be seen and used as a photographic object, also participating in the authorship of the photographs that were taken of it.
Description
Keywords
Autoria Retrato Fotografia Objeto fotográfico Pulsão escópica Authorship Portraiture Photography Photographic object Scopic drive