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Abstract(s)
O presente relatório é reportório de um estágio realizado no âmbito do Mestrado em Conservação e Restauro de Bens Culturais que teve lugar nas oficinas de Conservação e Restauro da Escola das Artes da Universidade Católica Portuguesa. No seu decorrer foi feito um estudo histórico e material, juntamente com uma intervenção de conservação e restauro numa pintura de óleo sobre madeira. A obra em causa, intitula-se “S. Miguel anuncia o Nascimento de S. Rosendo”, representando uma passagem da lenda de S. Rosendo. Enquadra-se no século XVII e o seu autor é desconhecido. Pertence à Igreja de S. Miguel do Couto, uma freguesia do concelho de Santo Tirso, porém não existem informações, nem documentos que abordem informações sobre esta. O estágio foi iniciado com uma pesquisa bibliográfica para enquadramento histórico da obra, caracterização artística e iconográfica e estudo material e técnico. A necessidade de uma intervenção de conservação e restauro desta pintura advém de algumas patologias evidentes que esta apresentava, sobretudo a nível estrutural e, principal foco deste estágio, onde foi criado um sistema com perfis de alumínio que não só reforçam a união das pranchas como mantém a sua planificação. Mantendo o respeito pela integridade física e histórica da obra, todas as decisões tomadas com o decorrer desta atividade, obedeceram aos princípios basilares da conservação e restauro, como a intervenção mínima e a preferência por materiais reversíveis, com o principal objetivo de retardar o envelhecimento da obra.
The present report describes an internship performed under a Master in conservation and restoration of cultural goods which took place in the conservation and restoration workshops of arts school from Universidade Católica Portuguesa. In its course it was done a historical and material study on pair with a conservation and restoration intervention in a painting wood. The piece of art in cause calls itself “S. Miguel anuncia o nascimento de S. Rosendo” which demonstrates a part of the Saint Rosendo legend, from the 17th century, and his author it´s unknown. It belongs to a church in S. Miguel do Couto in Santo Tirso, however, there is no information, nor documents with information about it. The internship began with bibliographic research for historical framing, artistic characterisation and iconography, technical and material study. The necessity of conservation and restauration intervention of this piece was due to some evident pathologies presented on it especially as structural level and, the main aim of the internship. A system of aluminium profiles was created that not only supports the junction of the boards but also maintains his planification. Maintaining the respect to its physical and historical integrity, all the taken decisions had in concern the basics of conservation and restoration, minimal intervention and preference for reversible materials, with the main objective of retarding its aging.
The present report describes an internship performed under a Master in conservation and restoration of cultural goods which took place in the conservation and restoration workshops of arts school from Universidade Católica Portuguesa. In its course it was done a historical and material study on pair with a conservation and restoration intervention in a painting wood. The piece of art in cause calls itself “S. Miguel anuncia o nascimento de S. Rosendo” which demonstrates a part of the Saint Rosendo legend, from the 17th century, and his author it´s unknown. It belongs to a church in S. Miguel do Couto in Santo Tirso, however, there is no information, nor documents with information about it. The internship began with bibliographic research for historical framing, artistic characterisation and iconography, technical and material study. The necessity of conservation and restauration intervention of this piece was due to some evident pathologies presented on it especially as structural level and, the main aim of the internship. A system of aluminium profiles was created that not only supports the junction of the boards but also maintains his planification. Maintaining the respect to its physical and historical integrity, all the taken decisions had in concern the basics of conservation and restoration, minimal intervention and preference for reversible materials, with the main objective of retarding its aging.
Description
Keywords
Pintura sobre madeira Pintura século XVII Anunciação S. Rosendo Tratamento estrutural de pintura Wood painting Painting of 17th century Annunciation Saint Rosendo Structural treatment of painting