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Advisor(s)
Abstract(s)
Num primeiro momento, pretende-se situar o romance fatal dilema (1907) no ideário naturalista que preside à série romanesca ― patologia social‖ e apresentar a redação simultânea da peça teatral homónima (1893), ainda inédita. Num segundo momento, procura-se demonstrar a natureza eminentemente teatral do romance, a partir de uma reflexão em torno de momentos narrativos que comprovam que a intriga é arquitetada sobre o conflito (interior) das personagens, tal como o é na tragédia e no teatro clássicos.
In this text, we intended to reflect about Abel Botelho’s novel Fatal Dilema, the fourth volume of the romanesque series ―Patologia Social‖. We will try to show that this novel has a theatrical fabula arquitecture, mainly by focusing the characters’ thoughts and secret feelings. This characteristic also reveals the existence of a relation between the novel and the homonymous unknown drama Fatal Dilemma (1983).
In this text, we intended to reflect about Abel Botelho’s novel Fatal Dilema, the fourth volume of the romanesque series ―Patologia Social‖. We will try to show that this novel has a theatrical fabula arquitecture, mainly by focusing the characters’ thoughts and secret feelings. This characteristic also reveals the existence of a relation between the novel and the homonymous unknown drama Fatal Dilemma (1983).
Description
Keywords
Abel Botelho Conflito interior Fatal Dilema Naturalismo Teatralização da narrativa Inner conflict Naturalism Dramatization of the narrative