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Abstract(s)
O conceito de found footage, que envolve a reutilização e ressignificação de materiais audiovisuais preexistentes, tem ganhado uma nova vida nas últimas décadas devido ao fenômeno digital. A digitalização e a disseminação de plataformas online democratizaram a produção e o compartilhamento de imagens, alterando as dinâmicas de apropriação e recontextualização. Esta dissertação propõe, a partir de análises dos filmes de Dominic Gagnon, uma reflexão sobre as imagens digitais e a influência da tecnologia em sua criação e disseminação. Exploraremos como Gagnon utiliza essa técnica não apenas para criar novas narrativas, mas também para abordar questões contemporâneas, como desinformação, identidade digital e a banalização da imagem. Por fim, através de um estudo investigativo, a pesquisa se concentra em como Gagnon reconfigura a técnica do found footage, enfatizando as implicações culturais e políticas que emergem dessas apropriações. Através de uma análise detalhada de sua filmografia, buscamos evidenciar as nuances e complexidades do found footage digital.
The concept of found footage, which involves the re-use and re-signification of pre-existing audiovisual materials, has been given a new lease of life in recent decades due to the digital phenomenon. Digitalization and the spread of online platforms have democratized the production and sharing of images, changing the dynamics of appropriation and recontextualization. Based on an analysis of Dominic Gagnon's films, this dissertation proposes a reflection on digital images and the influence of technology on their creation and dissemination. We will explore how Gagnon uses this technique not only to create new narratives, but also to address contemporary issues such as disinformation, digital identity and the trivialization of the image. Finally, through an investigative study, the research focuses on how Gagnon reconfigures the found footage technique, emphasizing the cultural and political implications that emerge from these appropriations. Through a detailed analysis of his filmography, we seek to highlight the nuances and complexities of digital found footage.
The concept of found footage, which involves the re-use and re-signification of pre-existing audiovisual materials, has been given a new lease of life in recent decades due to the digital phenomenon. Digitalization and the spread of online platforms have democratized the production and sharing of images, changing the dynamics of appropriation and recontextualization. Based on an analysis of Dominic Gagnon's films, this dissertation proposes a reflection on digital images and the influence of technology on their creation and dissemination. We will explore how Gagnon uses this technique not only to create new narratives, but also to address contemporary issues such as disinformation, digital identity and the trivialization of the image. Finally, through an investigative study, the research focuses on how Gagnon reconfigures the found footage technique, emphasizing the cultural and political implications that emerge from these appropriations. Through a detailed analysis of his filmography, we seek to highlight the nuances and complexities of digital found footage.
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Keywords
Found footage Found footage digital Dominc Gagnon Imagens digitais Filme de apropriação Cinema experimental Arte e tecnologia Digital images Appropriation Experimental cinema Art and technology