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Resumo(s)
A presente dissertação parte da pergunta: como podem os músicos independentes portugueses construir percursos profissionais estáveis numa indústria dominada pelo streaming? Através de uma abordagem qualitativa, que combina entrevistas semiestruturadas e análise bibliográfica, identificam-se estratégias como a criação de estruturas independentes (editoras, empresas, associações, sindicatos ou coletivos artísticos), a adaptação ao mercado digital e a diversificação de competências. Conclui-se que o streaming, embora crucial como meio de distribuição, é irrelevante como fonte de rendimento, em parte devido ao seu atual modelo de remuneração, amplamente contestado e descrito como opaco. Sugere-se que futuras investigações aprofundem os modelos alternativos de remuneração, o papel da inteligência artificial no streaming e a influência dos outros setores do ecossistema musical na segurança profissional dos artistas. Fundamentalmente, o estudo contribui para a compreensão das estratégias de sustentabilidade dos músicos independentes, considerando as dimensões económica, social e cultural.
The present dissertation begins with the question: how can independent Portuguese musicians build stable professional paths in an industry dominated by streaming? Through a qualitative approach, combining semi-structured interviews and bibliographic analysis, strategies are identified such as creation of independent structures (labels, companies, associations, trade unions, or artistic collectives), adaptation to the digital market, and the diversification of skills. It concludes that streaming, while essential as a means of distribution, is irrelevant as a source of income, in part due to its current remuneration model, which is widely contested and described as opaque. It suggests that future research should explore alternative remuneration models, the role of artificial intelligence in streaming, and the influence of other sectors within the music ecosystem on artists’ professional security. Fundamentally, the study contributes to a better understanding of the sustainability strategies adopted by independent musicians, considering economic, social, and cultural dimensions.
The present dissertation begins with the question: how can independent Portuguese musicians build stable professional paths in an industry dominated by streaming? Through a qualitative approach, combining semi-structured interviews and bibliographic analysis, strategies are identified such as creation of independent structures (labels, companies, associations, trade unions, or artistic collectives), adaptation to the digital market, and the diversification of skills. It concludes that streaming, while essential as a means of distribution, is irrelevant as a source of income, in part due to its current remuneration model, which is widely contested and described as opaque. It suggests that future research should explore alternative remuneration models, the role of artificial intelligence in streaming, and the influence of other sectors within the music ecosystem on artists’ professional security. Fundamentally, the study contributes to a better understanding of the sustainability strategies adopted by independent musicians, considering economic, social, and cultural dimensions.
Descrição
Palavras-chave
Streaming Indústria fonográfica portuguesa Músicos independentes Segurança profissional Algoritmos Carreira musical Portuguese music industry Independent musicians Professional security Algorithms Music career
Contexto Educativo
Citação
Editora
Licença CC
Sem licença CC
