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Advisor(s)
Abstract(s)
Numa indústria habitualmente conduzida por objetivos comerciais e de liderança de audiências, o profissional do som assume cada vez mais múltiplas funções. Nos dias de hoje a rádio e a televisão não se limitam a operar nos meios tradicionais para os quais foram inicialmente concebidos, têm-se adaptado rapidamente aos desenvolvimentos tecnológicos e a métodos de consumo multiplataforma. Este relatório aborda as estratégias e os desafios das operações de áudio em conteúdos de rádio e de televisão, realizados em estúdio e no exterior, tendo como referência o estágio curricular no Centro de Produção do Norte da concessionária do serviço público de média em Portugal, a Rádio e Televisão de Portugal (RTP). O documento está estruturado em quatro partes – a primeira aborda a experiência de estágio na rádio, os espaços de trabalho, os equipamentos, a produção de conteúdos em contexto não linear e em direto, conteúdos de informação e de entretenimento e a participação em duas atividades de exterior; a segunda refere-se a um estudo comparativo sobre as soluções de telecomunicação de áudio utilizadas nas operações radiofónicas, no qual abordo os contextos de utilização de cada solução e analiso a qualidade sonora através de gravações realizadas propositadamente para este fim; a terceira aborda o estágio na televisão, os desafios de captação de som de conteúdos de voz e de música, a produção de conteúdos de informação como os noticiários da RTP3, de entretenimento como o icónico “Praça da Alegria” da RTP1, uma produção de exterior de cariz religioso e os trabalhos de pós-produção de som para televisão e a última parte é referente ao impacto da Covid-19 nas operações de áudio em broadcast no Centro de Produção do Norte. Apresento também alguns dos desenvolvimentos tecnológicos identificados durante o estágio como as operações das reportagens de exterior através de codec IP, a produção de conteúdos de rádio para podcast e visual radio.
In an industry usually lead by commercial goals and audience leadership, professionals of audio department take on more and more responsibilities. Nowadays radio and television do not just operate in the traditional media for which they were initially conceived. They are keeping up with technological advances and multiplatform consuming habits. The following report presents techniques, strategies and challenges of audio operations across all stages of content production in the realm of radio and television, either at broadcast facilities or at remote locations, having as reference the academic internship held at the Portuguese public media service, at Centro de Produção do Norte of Rádio e Televisão de Portugal (RTP). The report is structured in four parts – the first addresses the internship in radio, the workspaces and equipment used there, the production of non-linear and live content of news reports and entertainment and lastly the experience of two remote productions; the second presents a comparative study about telecommunication solutions used in radio productions. My approach is based on the overview of use cases and the analysis of audio recordings captured for this study; in the third part I present the experience of the internship in television, the challenges of capturing vocal and musical content, the production of newscasts like the ones broadcasted in RTP3, the production of entertainment talk shows like the iconic “Praça da Alegria” broadcasted in RTP1, the remote production of a religious event and activities in television’s audio post-production department, lastly the impact of Covid-19 in broadcast audio operations at Centro de Produção do Norte. In this report I also present some of the technological advances in remote productions by using IP codecs and production of podcasts and radio shows in visual radio format.
In an industry usually lead by commercial goals and audience leadership, professionals of audio department take on more and more responsibilities. Nowadays radio and television do not just operate in the traditional media for which they were initially conceived. They are keeping up with technological advances and multiplatform consuming habits. The following report presents techniques, strategies and challenges of audio operations across all stages of content production in the realm of radio and television, either at broadcast facilities or at remote locations, having as reference the academic internship held at the Portuguese public media service, at Centro de Produção do Norte of Rádio e Televisão de Portugal (RTP). The report is structured in four parts – the first addresses the internship in radio, the workspaces and equipment used there, the production of non-linear and live content of news reports and entertainment and lastly the experience of two remote productions; the second presents a comparative study about telecommunication solutions used in radio productions. My approach is based on the overview of use cases and the analysis of audio recordings captured for this study; in the third part I present the experience of the internship in television, the challenges of capturing vocal and musical content, the production of newscasts like the ones broadcasted in RTP3, the production of entertainment talk shows like the iconic “Praça da Alegria” broadcasted in RTP1, the remote production of a religious event and activities in television’s audio post-production department, lastly the impact of Covid-19 in broadcast audio operations at Centro de Produção do Norte. In this report I also present some of the technological advances in remote productions by using IP codecs and production of podcasts and radio shows in visual radio format.
Description
Keywords
Serviço público de média Rádio Televisão Sonoplastia Mistura e montagem de som Public service media Radio Television Broadcast Sound design Sound mixing and editing Visual radio