| Nome: | Descrição: | Tamanho: | Formato: | |
|---|---|---|---|---|
| 1.78 MB | Adobe PDF |
Orientador(es)
Resumo(s)
Este estágio curricular realizado no estúdio BAP Animation Studios teve como objetivo principal estudar as metodologias utilizadas na indústria de animação portuguesa. Durante este estágio, foi possível presenciar e participar ativamente num projeto de animação em contexto profissional, mais especificamente no filme “Cão Sozinho”, dirigido por Marta Reis de Andrade. Durante o estágio, foram realizadas tarefas de assistência à produção da curta-metragem “Cão Sozinho” e adquiridos conhecimentos práticos sobre os processos de trabalho no campo da animação. Também houve a oportunidade de aprender novas ferramentas de software, aplicáveis em outros contextos de produção audiovisual, especialmente no cinema de animação. Além de adquirir conhecimentos específicos sobre a produção de animação 2D, o estágio permitiu uma imersão no ambiente de trabalho de um estúdio profissional, proporcionando o entendimento das várias etapas pelas quais um filme de animação passa, bem como a experiência de trabalhar dentro de uma equipa durante a fase de produção. O objetivo deste relatório é destacar os aspetos mais relevantes do trabalho desenvolvido durante o estágio e as diferentes etapas na produção do filme “Cão Sozinho”, e de que forma as ferramentas anteriormente adquiridas em contexto académico, destacam-se numa produção em contexto profissional, bem como a evolução sentida após o término do mesmo.
This curricular internship held at BAP Animation Studios main objective was to study the methodologies used in the Portuguese animation industry. During this internship, it was possible to witness and actively participate in an animation project in a professional context, more specifically in the film “Cão Sozinho”, directed by Marta Reis de Andrade. During the internship, tasks were carried out to assist the production of the short film “Cão Sozinho” and practical knowledge about the work processes in the field of animation were acquired. There was also the opportunity to learn new software tools, applicable in other contexts of audio-visual production, especially in animation. In addition to acquiring specific knowledge about the production of 2D animation, the internship allowed an integration in the working environment of a professional studio, providing the understanding of the various stages through which an animated film passes, as well as the experience of working within a team during the production phase. The objective of this report is to highlight the most relevant aspects of the work developed during the internship and the different stages in the production of the film “Cão Sozinho”, and how the tools previously acquired in an academic context stand out in a production in a professional context as well as the evolution felt after the end of the same.
This curricular internship held at BAP Animation Studios main objective was to study the methodologies used in the Portuguese animation industry. During this internship, it was possible to witness and actively participate in an animation project in a professional context, more specifically in the film “Cão Sozinho”, directed by Marta Reis de Andrade. During the internship, tasks were carried out to assist the production of the short film “Cão Sozinho” and practical knowledge about the work processes in the field of animation were acquired. There was also the opportunity to learn new software tools, applicable in other contexts of audio-visual production, especially in animation. In addition to acquiring specific knowledge about the production of 2D animation, the internship allowed an integration in the working environment of a professional studio, providing the understanding of the various stages through which an animated film passes, as well as the experience of working within a team during the production phase. The objective of this report is to highlight the most relevant aspects of the work developed during the internship and the different stages in the production of the film “Cão Sozinho”, and how the tools previously acquired in an academic context stand out in a production in a professional context as well as the evolution felt after the end of the same.
Descrição
Palavras-chave
Animação portuguesa BAP animation studios Animação 2D Produção cinematográfica Intercalação Animação Frames Portuguese animation 2D animation Film productions Intercalation Animation Frames