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Há algo que nos faz girar : sabemos o que é? : festival Rock Nordeste : história, contexto regional e potencialidades
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Abstract(s)
Os festivais de música são um tipo de eventos cuja proliferação pelo território, multiplicidade de iniciativas e variedade de tipologias atestam a sua relevância, pertinência e popularidade no âmbito das políticas culturais locais. Importa, neste contexto, problematizar o papel que os festivais de música de média dimensão podem desempenhar para a capitalização dos territórios e suas comunidades, sendo necessário, para tal, proceder não só a um levantamento como ao estudo, contextualização e dissecação deste tipo de eventos. Ao partirmos para o estudo de caso do Festival Rock Nordeste pretendemos criar uma narrativa em seu redor, mostrar um lado menos conhecido e, acima de tudo, lançar novos caminhos, possibilidades e ambições para a sua realização. Enquanto recursos metodológicos, sustentamos a nossa investigação na recolha de dados e análise (qualitativa e quantitativa) de fontes documentais (trabalhos académicos, artigos, publicações em jornais, entre outros) recorrendo a repositórios como Veritati, Scopus, RCAAP, e Research Gate. Foi, também, realizada uma revisão de literatura que combinou elementos de natureza documental/oficial e de índole académica. Promovemos duas entrevistas: uma semi-estruturada e outra estruturada a indivíduos cujo percurso está ou esteve, direta ou indiretamente, relacionado com o Rock Nordeste e, como trabalho de campo, visitámos vários locais, em Vila Real, por diversas vezes, a fim de reconstituir um passado em vias de esquecimento. Estas interações foram registadas sob a forma de diário. Consideramos que os festivais de música de média dimensão têm uma história a contar e só pousando o olhar sobre eles, procurando e questionando é que podemos descobrir o seu contributo para o desenvolvimento de consciências, procuras, infraestruturas e ecossistemas culturais. Concluímos que estes eventos e, em sentido amplo, as políticas culturais quando perspetivadas conjuntamente com distintas áreas setoriais, constituem uma oportunidade de alavancar territórios, comunidades e identidades, impactando os festivais indivíduos e seus contextos além da mera experiência sensorial. No caso do Festival Rock Nordeste, notamos que há reflexões, atitudes e medidas que podem ser tomadas no sentido de, holístcamente, o conceber enquanto ação estruturante no território.
Music festivals are a type of event whose proliferation throughout the territory, multiplicity of initiatives and variety of typologies attest to their relevance, pertinence and popularity within the scope of local cultural policies. In this context, it is important to problematize the role that medium-sized music festivals can play in the capitalization of territories and their communities, and to do so, it is necessary to carry out not only a survey but also a study, contextualization and dissection of this type of event. By setting out to study the case of the Festival Rock Nordeste, we intend to create a narrative around it, show a lesser-known side and, above all, launch new paths, possibilities and ambitions for its realization. As methodological resources, we support our research in the collection of data and analysis (qualitative and quantitative) of documentary sources (academic works, articles, newspaper publications, among others) using repositories such as Veritati, Scopus, RCAAP, and Research Gate. A literature review was also carried out, combining elements of a documentary/official nature and of an academic nature. We conducted two interviews: one semi-structured and the other structured, with individuals whose careers are or have been directly or indirectly related to Rock Nordeste. As fieldwork, we visited several locations in Vila Real on several occasions in order to reconstruct a past that was being forgotten. These interactions were recorded in the form of a diary. We believe that medium-sized music festivals have a story to tell and only by looking at them, searching and questioning can we discover their contribution to the development of awareness, demand, infrastructures and cultural ecosystems. To conclude, these events and, in a broader sense, cultural policies, when viewed together with different sectoral areas, represent an opportunity to leverage territories, communities and identities, impacting festivals both individuals and their contexts beyond the mere sensory experience. In the case of the Festival Rock Nordeste, we note that there are reflections, attitudes and measures that can be taken in order to holistically conceive it as a structuring action in the territory.
Music festivals are a type of event whose proliferation throughout the territory, multiplicity of initiatives and variety of typologies attest to their relevance, pertinence and popularity within the scope of local cultural policies. In this context, it is important to problematize the role that medium-sized music festivals can play in the capitalization of territories and their communities, and to do so, it is necessary to carry out not only a survey but also a study, contextualization and dissection of this type of event. By setting out to study the case of the Festival Rock Nordeste, we intend to create a narrative around it, show a lesser-known side and, above all, launch new paths, possibilities and ambitions for its realization. As methodological resources, we support our research in the collection of data and analysis (qualitative and quantitative) of documentary sources (academic works, articles, newspaper publications, among others) using repositories such as Veritati, Scopus, RCAAP, and Research Gate. A literature review was also carried out, combining elements of a documentary/official nature and of an academic nature. We conducted two interviews: one semi-structured and the other structured, with individuals whose careers are or have been directly or indirectly related to Rock Nordeste. As fieldwork, we visited several locations in Vila Real on several occasions in order to reconstruct a past that was being forgotten. These interactions were recorded in the form of a diary. We believe that medium-sized music festivals have a story to tell and only by looking at them, searching and questioning can we discover their contribution to the development of awareness, demand, infrastructures and cultural ecosystems. To conclude, these events and, in a broader sense, cultural policies, when viewed together with different sectoral areas, represent an opportunity to leverage territories, communities and identities, impacting festivals both individuals and their contexts beyond the mere sensory experience. In the case of the Festival Rock Nordeste, we note that there are reflections, attitudes and measures that can be taken in order to holistically conceive it as a structuring action in the territory.
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Keywords
Rock Nordeste Festivais de música Políticas públicas Desenvolvimento local Vila Real Music festivals Public policies Local development
Pedagogical Context
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CC License
Without CC licence