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Authors
Advisor(s)
Abstract(s)
O propósito deste estudo, Pintura Concentrada – Elementos para
definir um conceito pictórico contemporâneo: presença e itinerários da hibridação
no seu sedimentar, tem como missão consolidar o ato de concentrar como um
denominador comum na criação artística, e estabelecer como este ato acontece na
pintura com uma particular relevância. Para que tal seja feito num fundo sistemático
organizado – com um tratamento dos grandes centros em que a concentração acontece
– procedemos a uma organização que divide a tese em cinco grandes momentos,
precedidos de uma abertura preambular que centra a natureza do que será o impulso
mais essencial da criação. Estes cinco momentos desenvolvem um percurso que se
inicia no objetual e material da pintura na primeira consideração da sua existência (I);
passando pela sua possibilidade de interpretabilidade (II); pela verdade e realidade
na ocorrência da sua concentração (III); pelo escrutínio do entrelaçamento conceptual
rizomatico presente na criação artística (IV); até à análise e função da hibridação na
concentração, reforçando neste itinerário a invisualidade. Na sua interpretabilidade
concentrada e em toda a sua concentração aberta disposta à alteridade, as obras estão
dispostas à fruição, aguardando pela sua final animação e legitimação pela interação.
A concentração consolida-se assim por si mesma como um conceito pictórico
contemporâneo.
The aim of this study, Concentrated Painting – Elements to define a contemporary pictorial concept: presence and itinerary of hybridization in its consolidation, is to contribute to consolidate the act of concentrating as a common denominator in artistic creation, and to establish how it happens as an act of particular relevance in painting. For this to be done within a systematically organized basis - able to handle the interweaving of the essential traversing focusses in which concentration occurs - the research is structured in five moments, preceded by a prefatory opening that centres the nature of what is the essential impulse for artistic creation. These five moments develop a route from the objectual and material in painting to its path to being (I); from its possibility of interpretability (II); to truth and reality in the occurrence of concentration (III); from the scrutiny of the rizomatic conceptual interlacement present in artistic creation (IV); to the analysis and function of hybridization in concentrating throughout its back-and forth itinerary to invisuality. In its concentrated interpretability and all its open concentration willing to otherness, works are ready to fruition, staying expecting to this final encouraging and legitimating interaction. Concentration consolidates itself as a contemporary pictorial concept.
The aim of this study, Concentrated Painting – Elements to define a contemporary pictorial concept: presence and itinerary of hybridization in its consolidation, is to contribute to consolidate the act of concentrating as a common denominator in artistic creation, and to establish how it happens as an act of particular relevance in painting. For this to be done within a systematically organized basis - able to handle the interweaving of the essential traversing focusses in which concentration occurs - the research is structured in five moments, preceded by a prefatory opening that centres the nature of what is the essential impulse for artistic creation. These five moments develop a route from the objectual and material in painting to its path to being (I); from its possibility of interpretability (II); to truth and reality in the occurrence of concentration (III); from the scrutiny of the rizomatic conceptual interlacement present in artistic creation (IV); to the analysis and function of hybridization in concentrating throughout its back-and forth itinerary to invisuality. In its concentrated interpretability and all its open concentration willing to otherness, works are ready to fruition, staying expecting to this final encouraging and legitimating interaction. Concentration consolidates itself as a contemporary pictorial concept.
Description
Keywords
Concentração Pintura Hibridação Conceito pictórico Abertura Invisualidade Interpretabilidade Concentration Painting Hybridization Pictorial concept Opening Invisuality Interpretability