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Orientador(es)
Resumo(s)
The objective of this article is to reflect on the video art
work in its loop production to perceive the possibility of
it being received as an open work. In order to
contextualize this reflection the text is anchored in the
concept of image-crystal from Gilles Deleuze. For the
purpose of empirically explore theoretical concepts
such as video art, open work and image-crystal it was
produced a practical project of video art that intends to
reflect on the notion of time in a context of a loop
exhibition. Therefore this project aims to motivate the
reflection on the loop as a mechanism to contour the
ephemeral character of video art and, at the same
time, it seeks to emphasize questions about the
element of multiplicity and plurality in art. It is a
scientific and artistic project in which the practical
component supports the dialectic between theory and
practice, action and reflection. In this sense, based on
the video entitled "The Walk" this article demonstrates
how the theoretical concepts were used to support the
artistic creation. Finally the conclusions sustain that the
work of video art, when presented in loop, is a creative
and expository strategy which encourages multiple
interpretations that vary according to the narrative, the
context in which it takes place and the attitude and the
background of the spectator.
Descrição
Palavras-chave
Video art Loop Image-crystal Time Open work
Contexto Educativo
Citação
SOBRAL, Filomena Antunes ; PINTO, Orlando José Lomba - Em loop a obra abre-se: Reflexão videográfica sobre a obra aberta. In International Conference Cinema Art, Technology, Communication (AVANCA | CINEMA 2015), Avanca, Portugal, 22-26 Julho 2015. 6 p.