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Abstract(s)
Este relatório pretende, com a profundidade e a complexidade possível, fazer uma análise e uma descrição do processo de desenvolvimento do projeto Armour, desde o seu momento embrionário até o objeto final, no formato de uma curta-metragem de ficção. Procura-se um enquadramento teórico, que fundamentou o pensamento e problematização das questões propostas a estudo, em paralelo com a dimensão prática e material da execução do filme, sempre funcionando em simbiose, contaminando-se e chocando constantemente ao longo do processo. Refletindo duas linhas principais, a masculinidade e o cinema sensorial e afetivo, o documento é uma base para a discussão e análise destas questões em profundidade, percebendo de que forma linhas de afinidade se formam e se cristalizam, funcionando por forma a criar uma cisão que dá o nome a este relatório: masculinidade e o poder de afeção, crise e destabilização.
This report aims, with the depth and complexity possible, to analyze and describe the process of development of the project Armour, since its embryony stage, until the final object, in the format of a short fiction film. It follows a theoretical framing, which served as base for the thinking and problematization of the questions that were proposed to the study, in parallel with a practical and material approach of the process, always working in symbiosis, converging, and choking constantly during the process of the making. Reflecting two different principal guidelines, masculinity and the cinema of sensation affection, this document is the main reference for the discussion and analysis of this questions in depth, understanding the way they may connect, working in a way that aim at provoking some kind of rupture, that the title of the report reflects: masculinity and the power of affection, crisis and destabilization.
This report aims, with the depth and complexity possible, to analyze and describe the process of development of the project Armour, since its embryony stage, until the final object, in the format of a short fiction film. It follows a theoretical framing, which served as base for the thinking and problematization of the questions that were proposed to the study, in parallel with a practical and material approach of the process, always working in symbiosis, converging, and choking constantly during the process of the making. Reflecting two different principal guidelines, masculinity and the cinema of sensation affection, this document is the main reference for the discussion and analysis of this questions in depth, understanding the way they may connect, working in a way that aim at provoking some kind of rupture, that the title of the report reflects: masculinity and the power of affection, crisis and destabilization.
Description
Keywords
Curta-Metragem Masculinidade Cinema Sensorial Ficção Short-film Masculinity Sensorial cinema Fiction