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Memórias de Agripina (1993) é uma obra marcada pelos lugares evocados pela mãe de Nero na sua derradeira noite. Os ambientes, naturais ou obra do homem, símbolos de ideias sedutoras. enfeitiçaram‐na, transformaram‐se em paisagens da sua mente e alma e permanecem impregnados da presença dos mortos. O ponto de vista de Agripina é definido pela sua versão da descrição taciteana do horizonte da sua morte: o inlustris céu de opala e cristal revela a sua visão poética, expressa em metáforas de gemas, reflexo do luxus do seu tempo que, segundo Plínio, via nelas o epítome da majestade da natureza.
Memórias de Agripina (1993) is a work marked by the places evoked by Nero's mother on her final night. Settings, whether natural or man-made, as symbols of enticing ideas, enthrall her. They have been transformed into landscapes of her mind and soul and are impregnated with the presence of the dead. Agrippina's point of view is defined by her version of the Tacitean account of her death: the opal and crystal inlustris sky reveals her poetic vision, conveyed through gem metaphors, which reflect the luxus of her time and which were considered by Pliny to be the epitome of nature's majesty.
Memórias de Agripina (1993) is a work marked by the places evoked by Nero's mother on her final night. Settings, whether natural or man-made, as symbols of enticing ideas, enthrall her. They have been transformed into landscapes of her mind and soul and are impregnated with the presence of the dead. Agrippina's point of view is defined by her version of the Tacitean account of her death: the opal and crystal inlustris sky reveals her poetic vision, conveyed through gem metaphors, which reflect the luxus of her time and which were considered by Pliny to be the epitome of nature's majesty.
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Memórias de Agripina Plínio O velho Memória Luz Luxus Pliny the Elder Memory Light