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Advisor(s)
Abstract(s)
O presente artigo visa abordar algumas soluções para o problema de documentação gráfica 2D e 3D em projetos de conservação e restauro e em objetos de arte contemporânea. Escolheu-se como caso de estudo o banco de jardim da autoria de Júlio Resende no edifício Parnaso, situado na cidade do Porto. Pretendeu-se, com a conjugação de alguns sistemas de representação, recolher um conjunto exaustivo de informações que possibilitassem a caracterização do objeto, assim como estabelecer a relação de aplicabilidade da metodologia de documentação às questões específicas da obra, com destaque para o apoio na definição de critérios e métodos de intervenção e, con-sequentemente, apresentar uma metodologia de documentação para a arte contemporânea. Partindo destas premissas, será abordado o levantamento de formas distintas, por meio do registo gráfico 2D, fotogrametria e computação gráfica 3D.
The present article aims to address some solutions to the problems of 2D and 3D graphical documentation in contemporary art objects. The garden bench by Júlio Resende in the Parnaso building located in the city of Porto was selected as a case study. With the combination of som systems of representation, it was intended to collect a comprehensive set of information that would enable the characterization of the object, as well as to establish the relation of applicability of the documentation methodology to the specific issues of the work with emphasis on support in the definition of intervention criteria and methods and, consequently, to present a documentation methodology for contemporary art. Starting from these premises the survey will be approached in different ways through 2D graphic registration, photogrammetry and 3D computer graphics.
The present article aims to address some solutions to the problems of 2D and 3D graphical documentation in contemporary art objects. The garden bench by Júlio Resende in the Parnaso building located in the city of Porto was selected as a case study. With the combination of som systems of representation, it was intended to collect a comprehensive set of information that would enable the characterization of the object, as well as to establish the relation of applicability of the documentation methodology to the specific issues of the work with emphasis on support in the definition of intervention criteria and methods and, consequently, to present a documentation methodology for contemporary art. Starting from these premises the survey will be approached in different ways through 2D graphic registration, photogrammetry and 3D computer graphics.
Description
Keywords
Arte contemporânea Conservação Documentação gráfica Tecnologias digitais Fotogrametria Computação Gráfica Contemporary art Conservation Graphical documentation Digital technologies Photogrammetry Computer graphics
Citation
Alquini, C., Henriques, F., Teixeira, J., Vieira, E. (2018). Uma metodologia de documentação gráfica para uma obra de arte contemporânea: O banco de jardim de Júlio Resende do edifício Parnaso (Porto). Conservar Património, 27, 93-102
Publisher
Associação Profissional de Conservadores-Restauradores de Portugal