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Haped geographies: depleting echoes of extraction: sculpting, video archiving, and multispecies knowledge in peldehue’s extractive landscapes
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Resumo(s)
Extractive capitalism has long shaped economic and geopolitical structures, particularly in the Global South, relying on large-scale resource extraction that reinforces dependency and environmental degradation. This system perpetuates power imbalances, concentrating wealth in industrialised nations while centralising digital-technological production in urban centres. This article examines the material entanglement of mineral exploitation and digital capitalism by analysing the political and legal frameworks that uphold resource management power structures. Through a case study of Peldehue, a rural town in central Chile marked by colonialism, extractivism, political violence, and environmental decline, it explores how artistic practice and decolonial frameworks can generate counter-narratives to territorial dispossession and ecological collapse. By revealing the spectral traces of depletion and resistance, the study highlights the persistence of multispecies interactions and socio-ecological knowledge under the ongoing pressures of extractivism.
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Extractive capitalism Environmental impact Decolonial perspectives Artistic research Installation art
Contexto Educativo
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UCP Editora