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The orphic 'fleeting glimpse' in some of its remediations

2025-11-21Artigo de investigação Acesso aberto
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dc.contributor.authorBär, Gerald
dc.date.accessioned2025-12-22T10:36:04Z
dc.date.available2025-12-22T10:36:04Z
dc.date.issued2025-11-21
dc.description.abstractThe myth of Orpheus and Eurydice was revitalized and perpetuated during the first decades of the twentieth century in literature and other arts. Influenced by literature, painting and music, cinema has retold and re-enacted this myth in many variations, from Destiny (Lang, 1921) to Cocteau’s Orphic trilogy (1930-60). Revisiting the Orphic ‘fleeting glimpse’ in some of its modernist re-mediations and comparing its pictorial and cinematographic expression will provide further insight into its adaptations and transformations and into the technology involved in these processes. The present investigation focuses on the technical reproducibility of the invisible and analyses its pictorial, poetic and cinematographic expression in the cultural exchange between Rodin, Rilke and Cocteau.eng
dc.identifier.citationBär, G. (2025). The orphic 'fleeting glimpse' in some of its remediations. Amaltea, 17, Article e102000. https://doi.org/10.5209/amal.100026
dc.identifier.doi10.5209/amal.100026
dc.identifier.eid105029553527
dc.identifier.issn1989-1709
dc.identifier.other67fb5115-f00d-4e5a-9b37-2e9484727d40
dc.identifier.urihttp://hdl.handle.net/10400.14/56014
dc.identifier.wos001628138200001
dc.language.isoeng
dc.peerreviewedyes
dc.rights.uriN/A
dc.subjectFilm
dc.subjectMedia archaeology
dc.subjectMyth
dc.subjectOrpheus
dc.subjectPainting
dc.titleThe orphic 'fleeting glimpse' in some of its remediationseng
dc.typeresearch article
dspace.entity.typePublication
oaire.citation.titleAmaltea
oaire.citation.volume17
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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