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Climate migration in post-apocalyptic narratives on the mainstream screen

dc.contributor.authorKoncz, Linda
dc.contributor.authorVillas Boas, Alex
dc.date.accessioned2024-02-28T11:25:51Z
dc.date.available2024-02-28T11:25:51Z
dc.date.issued2024-02-16
dc.description.abstractThrough the perspective of ‘catastrophising thought’, this work undertakes a comparative analysis of five post-apocalyptic films dealing with climate migration: Waterworld, Snowpiercer, Interstellar, Mad Max: Fury Road and Mortal Engines in order to identify recurring themes within their dystopian societies. These narratives share an apocalyptic literary approach, intertwining biblical elements to draw a subjectivity that enables us to see the end of our known world order simultaneously as a new beginning. In the plots, technological development is related to the disrespect of ecological harmony and, therefore, extreme climate conditions. The changes in the films’ narratives lead to a new kind of spirituality and a new concept of home. This article concludes by evaluating how these findings relate to the real, contemporary world.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.3390/rel15020231pt_PT
dc.identifier.eid85185962004
dc.identifier.issn2077-1444
dc.identifier.urihttp://hdl.handle.net/10400.14/44084
dc.identifier.wos001172291000001
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectClimatept_PT
dc.subjectMigrationpt_PT
dc.subjectFuturept_PT
dc.subjectDystopiapt_PT
dc.subjectPost-apocalypsept_PT
dc.subjectFilmpt_PT
dc.subjectHomept_PT
dc.subjectCatastrophept_PT
dc.subjectNarrativept_PT
dc.titleClimate migration in post-apocalyptic narratives on the mainstream screenpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.issue2pt_PT
oaire.citation.titleReligionspt_PT
oaire.citation.volume15pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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