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Resumo(s)
«A primeira cena que Siza desenhou foi a queda de S.Paulo do cavalo: porque gosta de desenhar cavalos e porque o episódio tem quase tudo o que um artista procura:movimento, luz, dramatismo, mistério, ruptura. A mais célebre queda do cavalo da História. Os corpos do cavalo e do cavaleiro fundem-se, no desenho, num corpo único:uma espontânea e frugal distribuição de linhas que mostram o sobressalto do cavalo e escondem o rosto do cavaleiro». Este texto guarda e segreda, desta forma, a memória de uma conversa com o arquitecto Álvaro Siza Vieira, a propósito dos azulejos colocados na nova Basílica do Santuário de Fátima, com cenas da vida de São Paulo.
“The first scene that Siza devised was the fall of St. Paul from the horse: because he likes drawing horses and because the episode has almost everything that an artist seeks: movement, light, drama, mystery, rupture. The most famous fall from a horse in history. The bodies of horse and rider are fused, in the design, into a single body; a spontaneous and frugal distribution of lines that show the horse somersaulting and hide the face of the rider.” This text thus conserves and whispers the recollection of a conversation with the architect Álvaro Siza Vieira with regard to the ceramic tiles placed in the new Basilica at the Fátima Sanctuary, containing scenes from the life of St. Paul.
“The first scene that Siza devised was the fall of St. Paul from the horse: because he likes drawing horses and because the episode has almost everything that an artist seeks: movement, light, drama, mystery, rupture. The most famous fall from a horse in history. The bodies of horse and rider are fused, in the design, into a single body; a spontaneous and frugal distribution of lines that show the horse somersaulting and hide the face of the rider.” This text thus conserves and whispers the recollection of a conversation with the architect Álvaro Siza Vieira with regard to the ceramic tiles placed in the new Basilica at the Fátima Sanctuary, containing scenes from the life of St. Paul.
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Contexto Educativo
Citação
HIGINO, Nuno - Dez quadrículas e um excurso sobre os azulejos de Álvaro Siza na Basílica da Trindade, Fátima. Didaskalia. Lisboa. ISSN 0253-1674. 38:1 (2008) 129-135
Editora
Faculdade de Teologia da Universidade Católica Portuguesa