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Authors
Advisor(s)
Abstract(s)
Esta publicação debruça-se sobre a manufatura dos contraplacados, por ser o painel de excelência usado por Abel Salazar, como suporte das suas pinturas a óleo. Através da observação directa e segundo a bibliografia consultada, traçam-se as características destes suportes, que se inscrevem na primeira metade do séc. XX, e identificam-se as patologias mais significativas.
This paper focuses on the manufacture of plywood, since it is the preeminent support usedby Abel Salazar for his oil paintings. The characteristics of these supports, dated to the first half of the 20th century, are defined from direct observation and from the bibliography consulted, and the most significant pathologies are also identified.
This paper focuses on the manufacture of plywood, since it is the preeminent support usedby Abel Salazar for his oil paintings. The characteristics of these supports, dated to the first half of the 20th century, are defined from direct observation and from the bibliography consulted, and the most significant pathologies are also identified.
Description
Keywords
Alma Contraplacado Core Folha Folha de corte plano Folha de madeira desenrolada Oil painting Pintura a óleo Plywood Rotary cut veneer Sliced veneer Suporte Support Veneer
Pedagogical Context
Citation
Brito, A. (2012). A utilização do contraplacado como suporte artístico - estudo de alguns exemplos nas pinturas de Abel Salazar. Estudos de Conservação e Restauro, (4), 113-135. https://doi.org/10.34618/ecr.4.3088
