Publication
Uncanny river (the crossing)
| dc.contributor.author | Biscainho, João | |
| dc.date.accessioned | 2022-04-29T13:24:22Z | |
| dc.date.available | 2022-04-29T13:24:22Z | |
| dc.date.issued | 2022-02-07 | |
| dc.description.abstract | This essay comes a few years after several public presentations of the video installation Uncanny River (the crossing) (2014–15), of which I am the author. My extensive involvement with audiences revealed their disquiet regarding the piece’s uncanniness and the illusory and perceptual phenomena that captivated them for a long time. The installation is composed of video recordings of a river seen from above, which is rear-projected onto a vertical sheet of glass reflected by a mirror set at a right angle, producing symmetrical compositions that continually dissolve and are replaced by an endless succession of new compositions. | pt_PT |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.issn | 2633-4534 | |
| dc.identifier.uri | http://hdl.handle.net/10400.14/37388 | |
| dc.language.iso | eng | pt_PT |
| dc.peerreviewed | no | pt_PT |
| dc.title | Uncanny river (the crossing) | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.title | The Garage Journal: Studies in Art, Museums & Culture | pt_PT |
| oaire.citation.volume | GJ MEDIA | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |
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