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Abstract(s)
A importância da exibição de cinema independente nas várias dinâmicas das cidades tem sido abordada por vários autores. Ainda assim, embora as políticas para o cinema e para o audiovisual representem um dos focos principais das políticas culturais europeias, ainda é um tema pouco investigado relativamente à União Europeia e a Portugal. O alcance das políticas públicas no cinema permanece assimétrico, os incentivos à produção cinematográfica representam o principal alvo das políticas públicas, e devem ser articulados com a distribuição e a exibição. Esta dissertação incide sobre o subsetor de exibição de filmes não comerciais e semicomerciais na cidade do Porto, em particular na proposta de reabertura do Batalha Centro de Cinema, assim como no seu valor na dinâmica social e cultural do Porto e o devido enquadramento histórico. A presente investigação busca compreender o papel do centro de cinema enquanto impulsionador social, económico e cultural de uma cidade. Para isso, a investigação inclui revisão de literatura relativamente à abordagem pública para este setor na UE e em Portugal e relativamente à história do cinema na cidade do Porto. Para além disso, é realizada uma análise de benchmarking entre centros cinematográficos de outras cidades, como o Eye Film Institute em Amesterdão, o Light House em Dublin, HOME Cinema em Manchester e à Filmhouse em Edimburgo de modo a compreender com mais profundidade o papel do centro cinematográfico na cidade. Esta investigação pretende contribuir para o conhecimento acerca do papel das instituições culturais na saúde, vivacidade e economia das cidades.
The importance of independent cinema exhibition has been addressed by several authors. While cinema and audiovisual policies represent one of the main focuses of European cultural policies, it is still scarce in investigation in the European Union and in Portugal. The distribution of public policies in cinema remains asymmetrical as incentives for film production remain the main target of public policies and they ought to be articulated with distribution and exhibition. This dissertation focuses on the non-commercial and semicommercial film exhibition subsector in Porto, particularly, on the reopening proposal of the Batalha Centro de Cinema, its value in the social and cultural dynamics of Porto and an historical framework. The present research seeks to understand the role of the film centre as a social, economic, and cultural driver in cities. For that, the investigation includes a data revision regarding public policies for this sector in the EU and in Portugal, the history of cinema in Porto as well as a benchmarking analysis between film centres in other cities, such as the Eye Film Institute in Amsterdam, Light House in Dublin, Home Cinema in Manchester, and Filmhouse in Edinburgh for a deeper understanding of the role of the film centre in the city. This research aims at contributing to the knowledge on the role of cultural institutions on the well-being, livelihood, and economy of cities.
The importance of independent cinema exhibition has been addressed by several authors. While cinema and audiovisual policies represent one of the main focuses of European cultural policies, it is still scarce in investigation in the European Union and in Portugal. The distribution of public policies in cinema remains asymmetrical as incentives for film production remain the main target of public policies and they ought to be articulated with distribution and exhibition. This dissertation focuses on the non-commercial and semicommercial film exhibition subsector in Porto, particularly, on the reopening proposal of the Batalha Centro de Cinema, its value in the social and cultural dynamics of Porto and an historical framework. The present research seeks to understand the role of the film centre as a social, economic, and cultural driver in cities. For that, the investigation includes a data revision regarding public policies for this sector in the EU and in Portugal, the history of cinema in Porto as well as a benchmarking analysis between film centres in other cities, such as the Eye Film Institute in Amsterdam, Light House in Dublin, Home Cinema in Manchester, and Filmhouse in Edinburgh for a deeper understanding of the role of the film centre in the city. This research aims at contributing to the knowledge on the role of cultural institutions on the well-being, livelihood, and economy of cities.
Description
Keywords
Batalha Centro de Cinema Economia do cinema Exibição semicomercial Exibição não comercial Política cultural Audiovisual Exibição de cinema