Publication
Overview of generative processes in the work of Brian Eno
| dc.contributor.author | Gradim, Rita | |
| dc.contributor.author | Pestana, Pedro Duarte | |
| dc.date.accessioned | 2025-07-18T15:18:20Z | |
| dc.date.available | 2025-07-18T15:18:20Z | |
| dc.date.issued | 2021-10-12 | |
| dc.description.abstract | Brian Eno is a famous a musician, producer and artist known for his endeavors in rock music who has devoted the latter part of his career to ambient and generative work. There are a few publications regarding his work (Albiez & Pattie, 2016; Sheppard, 2009; Tamm, 1988), but they do not focus exclusively on his generative processes. The only paper that details Eno’s generative music only addresses the concepts of generative music and describes Eno’s apps (Marshall & Loydell, 2017). The paper focuses more on his apps and it does not present a detailed correlation between his background/ influences to his work. This paper bridges that specific gap, by detailing Eno’s school background, his influences, generative processes and how he moved on from traditional to more technological approaches. | eng |
| dc.identifier.doi | 10.5281/zenodo.5564520 | |
| dc.identifier.uri | http://hdl.handle.net/10400.14/53975 | |
| dc.language.iso | eng | |
| dc.peerreviewed | no | |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | |
| dc.title | Overview of generative processes in the work of Brian Eno | eng |
| dc.type | conference paper not in proceedings | |
| dspace.entity.type | Publication | |
| oaire.citation.conferenceDate | 2021-07-01 | |
| oaire.citation.conferencePlace | Porto, Portugal | |
| oaire.citation.endPage | 56 | |
| oaire.citation.startPage | 45 | |
| oaire.citation.title | X Workshop on Ubiquitous music | |
| oaire.version | http://purl.org/coar/version/c_970fb48d4fbd8a85 |