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New aspects regarding the instrumentalists' performance

dc.contributor.authorTravasso, Rui
dc.contributor.authorVeiga, Pedro Alves da
dc.contributor.authorGomes, José Alberto
dc.date.accessioned2024-05-22T09:50:40Z
dc.date.available2024-05-22T09:50:40Z
dc.date.issued2022
dc.description.abstractThis article proposes to identify the aesthetic currents and key events that influenced music instrumentalists over the last century, as well as to characterize new outcomes in music performance. The aesthetical, technical, and compositional evolution of music impacted and changed the traditional conception of the performance – that of a musician taking to the stage using only his instrument in order to deliver a rendition of a music score – to a multidisciplinary concept. This new concept brought new demands to the instrumentalists, who had to adapt and improve without guidance or tuition. But it also introduced a source of creativity, fostering new techniques both in music interpretation and in writing. This analysis will focus on traditional musical instruments players and excludes instrumental music of oral tradition and/or improvisation, as well as vocal interpreters.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.urihttp://hdl.handle.net/10400.14/45213
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectInstrumentalistpt_PT
dc.subjectMultidisciplinarypt_PT
dc.subjectMusicpt_PT
dc.subjectPerformancept_PT
dc.titleNew aspects regarding the instrumentalists' performancept_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlaceItalypt_PT
oaire.citation.title9th International Conference on New Music Conceptspt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT

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