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Authors
Abstract(s)
Na elaboração do presente relatório, realizado na especialização de Design de Som, pretendo englobar todo um conjunto de operações necessárias para o desenvolvimento sonoro para produções audiovisuais. Para esse efeito foi produzido um projeto que contou com a colaboração de alguns colegas de turma de Design de Som. O projeto consiste, preliminarmente, na criação de foleys e efeitos sonoros para um filme mudo que constitui uma referência na história do cinema, “Un Chien Andalou” de 1929, realizado por Luis Buñuel, com estreita pareceria com Salvador Dali. Neste processo de trabalho pretendo investigar diversas perspetivas de criação, de forma a poder exponenciar todas as possibilidades existentes para a recriação da peça. Embora seja comum encontrar várias recriações sonoras a partir de filmes antigos, esta proposta tem como especial particularidade o facto de associar a produção de foleys à produção musical.
Em relação à obra escolhida, a principal razão para esta opção foi tratar-se de uma referência histórica e simultaneamente ser caracterizada por um estilo invulgar e audaz em todas suas especificidades. A sua realização permite seguir uma abordagem relativamente livre e menos funcional do que num filme tradicional, podendo assim explorar e experimentar diversas características do som e música, procurando possíveis técnicas alternativas.
In the preparation of this report, carried out in the Sound Design specialization, I intend to encompass a whole set of necessary operations for sound development for audiovisual productions. For this purpose a project was produced, which had the collaboration of some colleagues in the Sound Design class. The project consists, primarily, in the creation of foleys and sound effects for a silent film that is a reference in the history of cinema, “Un Chien Andalou” of 1929, directed by Luis Buñuel, in close partnership with Salvador Dali. In this work process I intend to investigate various perspectives of creation, in order to be able to expose all the existing possibilities for the recreation of the piece. Although it is common to find several sound recreations from old films, this proposal has the particularity of associating the production of foleys with music production. In relation to the chosen work of art, the main reason for this option was that it was a historical reference and at the same time characterized by an unusual and bold style in all its specificities. Its accomplishment allows to follow a relatively free and less functional approach to be followed in a traditional film, thus being able to explore and experimenting various characteristics of sound and music, seeking for possible alternative techniques.
In the preparation of this report, carried out in the Sound Design specialization, I intend to encompass a whole set of necessary operations for sound development for audiovisual productions. For this purpose a project was produced, which had the collaboration of some colleagues in the Sound Design class. The project consists, primarily, in the creation of foleys and sound effects for a silent film that is a reference in the history of cinema, “Un Chien Andalou” of 1929, directed by Luis Buñuel, in close partnership with Salvador Dali. In this work process I intend to investigate various perspectives of creation, in order to be able to expose all the existing possibilities for the recreation of the piece. Although it is common to find several sound recreations from old films, this proposal has the particularity of associating the production of foleys with music production. In relation to the chosen work of art, the main reason for this option was that it was a historical reference and at the same time characterized by an unusual and bold style in all its specificities. Its accomplishment allows to follow a relatively free and less functional approach to be followed in a traditional film, thus being able to explore and experimenting various characteristics of sound and music, seeking for possible alternative techniques.
Description
Keywords
Design de som Efeitos sonoros Foley Som para cinema Sound design Sound effects Sound for cinema