Publication
Cinematography and television: differences and similarites
| dc.contributor.author | Nazareth, Adriano | |
| dc.date.accessioned | 2025-09-11T08:16:20Z | |
| dc.date.available | 2025-09-11T08:16:20Z | |
| dc.date.issued | 2010-01-01 | |
| dc.description.abstract | Television and Cinema present specific behaviour and language in relation to reality. If film focuses on its proximity to artistic practices, and this reflects the viewer’s relationship with the film, television, in turn, seeks in directness or the transposition of the real to the imaginary, the key to its success, the audience. We all see the possibilities that television has for viewers. Even those most aware of the various con- straints, and who claim themselves to be not influenced, come under the hypnotic power of the television screen. The quality of the programming continues to decline, succumbing to the claim that television channels have to get into the audience “ratings”. | eng |
| dc.identifier.citation | Nazareth, A. (2010). Cinematography and television: differences and similarites. Journal of Science and Technology of the Arts, 2(1), 34–39. https://doi.org/10.7559/citarj.v2i1.17 | |
| dc.identifier.doi | 10.7559/citarj.v2i1.17 | |
| dc.identifier.issn | 1646-9798 | |
| dc.identifier.other | 8c280be3-1a16-433f-8e4f-7b5a212e6758 | |
| dc.identifier.uri | http://hdl.handle.net/10400.14/54796 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | |
| dc.title | Cinematography and television: differences and similarites | eng |
| dc.type | research article | |
| dspace.entity.type | Publication | |
| oaire.citation.endPage | 39 | |
| oaire.citation.issue | 1 | |
| oaire.citation.startPage | 34 | |
| oaire.citation.title | Journal of Science and Technology of the Arts | |
| oaire.citation.volume | 2 | |
| oaire.version | http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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