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A imagem matriarcal na fotografia vernacular : uma perspectiva cúmplice entre dispositivo evocador da memória e arte contemporânea
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Esta dissertação discute a fotografia vernacular, tomando como objeto de observação e reflexão as imagens produzidas no contexto familiar, com foco no cotidiano feminino e na figura matriarcal que o atravessa. O estudo parte da análise do arquivo pessoal da autora, composto por fotografias de sua avó e de outras mulheres de sua família, e busca compreender de que modo essas imagens, produzidas no âmbito íntimo e doméstico, podem ser repensadas como expressões de memória, afeto e criação estética. A investigação examina as tensões entre documentação e representação que atravessam o registo fotográfico, situando a fotografia vernacular como um espaço de subjetividade e de identidades. Discute-se, ainda, a configuração histórica da família e o lugar social das mulheres, articulando essas dimensões à prática fotográfica cotidiana. A sustentação teórica articula autores como Boris Kossoy, Susan Sontag, Frangois Soulages, Atilio Avancini, Roland Barthes e Geoffrey Batchen, que contribuem para situar a fotografia vernacular como campo de reflexão sobre memória, tempo e experiência. Estabelece, ainda, a reciprocidade das imagens analisadas, que provém tanto de arquivos antigos de família como de produções artísticas recentes, constituindo um corpus que testemunha a permanência e a reinvenção sobre o feminino no espago doméstico.
This dissertation discusses vernacular photography, taking as its object of observation and reflection the images produced within the family context, focusing on the everyday feminine and the matriarchal figure that traverses it. The study draws on the analysis of the author's personal archive, composed of photographs of her grandmother and other women in her family, and seeks to understand how these images, produced in the intimate and domestic sphere, can be rethought as expressions of affective memory. The research examines the tensions between documentation and representation that permeate the photographic record, situating vernacular photography as a Space of subjectivity and identity construction. Furthermore, it discusses the historical configuration of the family and the social position of women, articulating these dimensions with everyday photographic practice. The theoretical framework draws on authors such as Boris Kossoy, Susan Sontag, Francois Soulages, Atilio Avancini, Roland Barthes, and Geoffrey Batchen, whose contributions help to situate vernacular photography as a field of reflection on memory, time, and experience. It also establishes the reciprocity of the analyzed images, sourced both from both old family archives and from recent artistic productions, constitutes a corpus that testifies the permanence and reinvention of the feminine in domestic space.
This dissertation discusses vernacular photography, taking as its object of observation and reflection the images produced within the family context, focusing on the everyday feminine and the matriarchal figure that traverses it. The study draws on the analysis of the author's personal archive, composed of photographs of her grandmother and other women in her family, and seeks to understand how these images, produced in the intimate and domestic sphere, can be rethought as expressions of affective memory. The research examines the tensions between documentation and representation that permeate the photographic record, situating vernacular photography as a Space of subjectivity and identity construction. Furthermore, it discusses the historical configuration of the family and the social position of women, articulating these dimensions with everyday photographic practice. The theoretical framework draws on authors such as Boris Kossoy, Susan Sontag, Francois Soulages, Atilio Avancini, Roland Barthes, and Geoffrey Batchen, whose contributions help to situate vernacular photography as a field of reflection on memory, time, and experience. It also establishes the reciprocity of the analyzed images, sourced both from both old family archives and from recent artistic productions, constitutes a corpus that testifies the permanence and reinvention of the feminine in domestic space.
Descrição
Palavras-chave
Arquivo familiar Matriarcado Fotografia vernacular Fotografia de arte Memória Family archive Matriarchy Vernacular photography Art photography Memory
Contexto Educativo
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Licença CC
Sem licença CC